Roy 'Mad Dog' Earle is broken out of prison by an old associate who wants him to help with an upcoming robbery. When the robbery goes wrong and a man is shot and killed Earle is forced to go on the run, and with the police and an angry press hot on his tail he eventually takes refuge among the peaks of the Sierra Nevadas, where a tense siege ensues. But will the Police make him regret the attachments he formed with two women during the brief planning of the robbery.Written by
Mark Thompson <firstname.lastname@example.org>
In addition to Hal B. Wallis, Humphrey Bogart also sent several telegrams to studio head Jack L. Warner, begging to be cast as Roy Earle. After Paul Muni left Warner Bros. in a contract dispute and George Raft turned down the role, Warner called Bogart and told him the part was his . . . on the condition that Bogart stop sending him telegrams. See more »
When pa gets into the accident in town,and Roy and the man are discussing it,Velma gets out of the car and steps down,you can clearly see the wrapping around her ankle under the stocking to make her appear as a cripple. See more »
[Marie crosses the crime scene line]
What's the idea you? get back where you belong! Anybody else tries they'll get run in... see?
[sees Marie crying approaches her]
What are you up to sister? Why did you try to get through this line? What did you mean to do? have you a little dog in that basket? A grey and white dog?
[Picks up basket and checks himself]
[signals the officer to come over]
What's the matter with her?
Roy Earle has been traveling with a girl called Marie.
Sure I know that. what about...
[...] See more »
Aw, the film that launched stardom for Humphrey Bogart and changed him from the perpetual villain to the "good guy."
The movie doesn't feature a lot of action but it keeps your interest. You have two women in here: the hard-boiled Ida Lupino and the soft-and-sweet Joan Leslie. Both are entertaining to watch and both demonstrate a few surprises in the personalities of the characters they are playing. Bogart does the same: goes back and forth between tough guy and softy.
Another key member of this unusual crime story/film noir is "Pard:" a little dog! Human supporting roles are supplied by some familiar and solid actors such as Arthur Kennedy, Alan Curtis, Henry Hull, Henry Travers, Barton MacLane and Cornel Wilde. Most of the people in here, including "Pard," are that endearing but there are so many different angles to this story, it's always interesting to see.
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