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Fortysomething, blue blooded Boston born and bred, Harvard educated businessman Harry Pulham leads a regimented, routinized life with his wife, the former Kay Motford, who he's known since childhood. Harry outwardly believes he is all the more happy because of the way his life is, which was somewhat predetermined as part of his upbringing. This day, he receives two telephone calls which make him examine his life. The first is from Bo-Jo Brown, a Harvard colleague who is heading a twenty-five year reunion committee, with Harry foisted into the job of writing attendee biographies, which is to include his own. The second is from Marvin Myles, a former work colleague from his time over twenty years ago at the J.T. Bullard Advertising Agency in New York City, that job which Harry got from his more liberally minded Harvard friend Bill King. The result of these two telephone calls makes Harry wonder if he is happy, if he is or ever was in love with Kay, and if he never was if he would have ...Written by
This film had its first television showing in Los Angeles Friday 7 December 1956 on KTTV (Channel 11); in Seattle it first aired 9 February 1957 on KING (Channel 5), in Chicago 17 February 1957 on WBBM (Channel 2), in Minneapolis 14 March 1957 on KMGM (Channel 9), in Philadelphia 10 July 1957 on WFIL (Channel 6), and in Altoona PA 7 August 1957 on WFBG (Channel 10), but it was not telecast in New York City until 21 June 1958 on WCBS (Channel 2), and in San Francisco 2 March 1959 on KGO (Channel 7). See more »
The flashback scenes in a taxi take place in 1919, however, the footage through rear-projection through the back window of the cab clearly show late 1930s automobiles. See more »
Harry Moulton Pulham:
They say that you can get over anything in time. I don't believe you can... but given enough time you can put it where it belongs.
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Hedy Lamarr gave a good performance here. No over-acting, but subtle and with a contemporary feel. This was a difficult role. Marvin Myles, without having the bitch on wheels histrionics of Bette Davis or Joan Crawford, was a beautiful and independent woman, who not only survived but actually thrived in a 'man's world'. This was a performance was balanced and sensitive. I think if George Cukor or William Wyler had handles the directorial reigns here, the results would could have made this a memorable films. As it is, it good. One has to remember that in 1941, this is still a period piece, and if one looks deep enough, there's a lot here that's worthwhile. Too bad that modern audiences seem to rely on non-stop action, and don't seem to have the attention span that this kind of movie requires. It's a pity than at least half a Valium is required to enjoy the warmth that is presented here.
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