Sandra and Pete elope but their marriage is invalid since she's not yet divorced. Sandra is, however, pregnant by Pete. Pete marries his former fiancée Maggie, then flies to South America where his plane crashes. Maggie pays Sandra to let her adopt Pete's baby. Pete returns "from the dead". Sandra and Maggie contend for Pete and the baby.Written by
Ed Stephan <firstname.lastname@example.org>
Mary Astor's Oscar winning performance in this film is her only Academy Award nomination. See more »
A key plot point in the first half concerns Sandra Kovac (Mary Astor) being asked by Peter van Allen (George Brent) to go through their marriage ceremony a second time, when her divorce from her previous husband becomes final. The date when this supposedly occurs is the following Tuesday, but Sandra refuses, stating that she will be playing a concert with the Philadelphia Symphony on that day. This is repeated several times, by both Sandra and her agent (Grant Mitchell). However, when the scene eventually changes to Maggie (Bette Davis) visiting Sandra backstage as the concert is ending, the camera zooms into a large poster proclaiming that she is actually performing with the Pennsylvannia Symphony Orchestra, not the Philadelphia. See more »
Played during the home movie scene See more »
I wanted to like it but....
I wanted to like this movie but I did not. The trend back then was to take a perfectly good drama and then screw it up with quips and one liners, which is exactly what they did here. Grand dame pianist Sandra Kovak is married to a player by the name of Peter Van Allen. He's still in love with his ex-girlfriend Maggie Peterson. Maggie is a rather boring goodie two shoes and Sandra is all fire and noise. Maybe a little too much noise, because when old Pete finds out Sandra wasn't legally divorced from her last hub, he leaves her and marries Maggie. Not long after he joins the war effort and his plane is reported as being shot down over Brazil and he is presumed dead.
Right about that time Sandra announces she is pregnant, so Maggie comes up with the ridiculous idea that she will pay Sandra a monthly stipend (Maggie is quite wealthy, of course) to help keep her in the style she's accustomed IF she allows Maggie to act as if she is the child's actual mother. This works out quite well until a few years later when it is discovered that Peter is alive. And boy, what an anticlimatic non-hero's welcome the poor sap got. My cat is more excited to see me at the end of the day than either of these ladies were to see a man they thought was dead...Sandra is still carrying a torch and decides she wants it all--Peter, her son, the life she gave up. So she rats out Maggie...but who will Peter choose?
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