After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ...
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Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.Written by
Ed Stephan <email@example.com>
Original 1919 Jess Willard-Jack Dempsey fight film footage used. See more »
When Rix Martin (John Payne) first sees the radio equipment Chuck Hadley (Jack Oakie) has set up in his room, he thinks it's a still for making bootleg liquor. But the scene takes place in early 1919, before Prohibition had taken effect. See more »
During the first twenty minutes or so there is actually some loose correspondence between the actual early history of radio and the history as presented here: the broadcast of a heavyweight prize fight, the proposal to broadcast a national political convention, the commercial link between the development of broadcasting and the sale of radios for home entertainment; and also the way national broadcasts began. The opening sequence before the title would have caught the attention of film goers in the forties, with brief clips of jack Benny, Fred Allen, Kate smith, Walter Winchell and other radio stars. Unfortunately, the origin and evolution of radio broadcasting becomes merely the background for a clichéd romance. However, there are some entertaining musical moments along the way. Jack Oakie stands out from the rest of the cast because of his energy, while Alice Faye, a favorite of mine from the 1930s, sings well, but seems mostly tired, except when she and Oakie are performing a song and dance number together. John Payne, Fox's back-up leading man (after Tyrone Power, who had moved on to major dramatic roles by this time), always does his job in a professional, though bland, manner. The Nicholas Brothers always impress. 20th Century Fox seemed to find some way of working them into most of the 1940s musicals. On the other hand, the Wiere Brothers are truly tiresome, supposedly performing over the radio an act that has to be seen to be enjoyed (or not, in this case). This review may sound more negative than I intended. In fact, most viewers will enjoy this hour and a half for what it is.
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