After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ...
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Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
Marine, James Murfin, is unaware of Icelandic customs. When he flirts with Katina her Icelandic family take his actions as a proposal of marriage to Katina. Desperately wanting out, James ... See full summary »
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.Written by
Ed Stephan <email@example.com>
When Rix Martin (John Payne) first sees the radio equipment Chuck Hadley (Jack Oakie) has set up in his room, he thinks it's a still for making bootleg liquor. But the scene takes place in early 1919, before Prohibition had taken effect. See more »
Interesting Pseudo History with a Too Familiar Dumb Plot
Few middle-aged people now even remember the waning days of big time network radio, much less its prime time from the late 1920s to the mid 50s. When I first became aware of radio, about 1930, the networks had been operating for some time. Nothing in this movie would tell me how long. The signals were, indeed, carried over telephone lines. In fact, by the late 30s, at least, telephone cables consisting of thousands of wires in a lead sheath carried larger gauge wires in the center to provide a cleaner signal for radio transmission. Broadcasts originated mostly in New York, with quite a few from California, some from Chicago, and a few from other places around the country -- like Nashville. If it was necessary to switch the feed from, say, New York to Hollywood for a special interview, it took about 5 seconds for the phone lines to be reconnected in the opposite direction. It was a fun time, that this movie pretends to have invented. When it originated, the people -- broadcasters and listeners -- must have been fully as excited about it as the movie depicts.
The plot of the story is one we've seen in at least a dozen films: boy steals friend's girl; friend and girl succeed big in some enterprise, boy, left out, becomes jealous and disappears; boy turns up just in time to observe girl's ultimate triumph. The enterprise may be a business, a farm, or a mine, but more commonly it's an act or dramatic career. The story is always stupid, and this film is no exception.
Still, the music featuring Alice Faye, a couple of numbers by the Ink Spots, the hilarious Wiere Brothers, and the incomparable Nicholas Brothers, and even John Payne in one of his early singing roles, makes for eminently watchable entertainment, with the bit of questionable broadcast history thrown in for good measure. Despite the too familiar plot, it's far better than the average musical of the 30s through 50s. I loved it enough to save the recording I made off the cable 15 years ago, and liked it just as much when I dug up the tape this week.
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