7.4/10
5,076
63 user 47 critic

49th Parallel (1941)

Not Rated | | Drama, War, Thriller | 15 April 1942 (USA)
A World War II U-boat crew are stranded in northern Canada. To avoid internment, they must make their way to the border and get into the still-neutral U.S.

Director:

Michael Powell

Writers:

Emeric Pressburger (original story and screenplay), Rodney Ackland (scenario) | 1 more credit »
Reviews

Watch Now

From $3.99 (SD) on Prime Video

ON DISC
Won 1 Oscar. Another 2 wins & 2 nominations. See more awards »

Photos

Learn more

More Like This 

Comedy | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Three modern day pilgrims investigate a bizarre crime in a small town on the way to Canterbury.

Directors: Michael Powell, Emeric Pressburger
Stars: Eric Portman, Sheila Sim, Dennis Price
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A young Englishwoman goes to the Hebrides to marry her older, wealthier fiancé. When the weather keeps them separated on different islands, she begins to have second thoughts.

Directors: Michael Powell, Emeric Pressburger
Stars: Wendy Hiller, Roger Livesey, George Carney
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

From the Boer War through World War II, a soldier rises through the ranks in the British military.

Directors: Michael Powell, Emeric Pressburger
Stars: Roger Livesey, Deborah Kerr, Anton Walbrook
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

When Nazi anti-aircraft fire damages a British bomber, its crew bails out and seeks help from the Dutch underground.

Directors: Michael Powell, Emeric Pressburger
Stars: Godfrey Tearle, Eric Portman, Hugh Williams
Spitfire (1942)
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Aircraft designer/patriot R. J. Mitchell, alarmed at growing German militarism, works to perfect a defense against the German Messerschmidt at the cost of his health.

Director: Leslie Howard
Stars: Leslie Howard, David Niven, Rosamund John
Night Ambush (1957)
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Led by British officers, partisans on Crete plan to kidnap the island's German commander and smuggle him to Cairo to embarrass the occupiers.

Directors: Michael Powell, Emeric Pressburger
Stars: Dirk Bogarde, Marius Goring, David Oxley
Fantasy | Music | Musical
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.

Directors: Michael Powell, Emeric Pressburger
Stars: Moira Shearer, Robert Rounseville, Ludmilla Tchérina
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A British wartime aviator who cheats death must argue for his life before a celestial court.

Directors: Michael Powell, Emeric Pressburger
Stars: David Niven, Kim Hunter, Robert Coote
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.

Directors: Michael Powell, Emeric Pressburger
Stars: Deborah Kerr, David Farrar, Flora Robson
Pygmalion (1938)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A phonetics and diction expert makes a bet that he can teach a cockney flower girl to speak proper English and pass as a lady in high society.

Directors: Anthony Asquith, Leslie Howard
Stars: Leslie Howard, Wendy Hiller, Wilfrid Lawson
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.

Directors: Noël Coward, David Lean
Stars: Noël Coward, John Mills, Bernard Miles
Certificate: Passed Adventure | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Professor Horatio Smith, while seeming very unassuming, rescues victims of Nazi persecution during World War II.

Director: Leslie Howard
Stars: Leslie Howard, Francis L. Sullivan, Allan Jeayes
Edit

Cast

Cast overview, first billed only:
Leslie Howard ... Philip Armstrong Scott
Raymond Massey ... Andy Brock
Laurence Olivier ... Johnnie - The Trapper
Anton Walbrook ... Peter
Eric Portman ... Lieutenant Ernst Hirth
Glynis Johns ... Anna
Niall MacGinnis ... Vogel
Finlay Currie ... The Factor
Raymond Lovell Raymond Lovell ... Lieutenant Kuhnecke
John Chandos John Chandos ... Lohrmann
Basil Appleby Basil Appleby ... Jahner
Eric Clavering Eric Clavering ... Art
Charles Victor Charles Victor ... Andreas
Ley On Ley On ... Nick - the Eskimo
Richard George Richard George ... Kommandant Bernsdorff
Edit

Storyline

In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's fanatical Nazi Captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces, leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crew's return to the Fatherland. He needs to reach the neutral U.S., or be captured. Along the way, they meet a variety of characters, each with their own views on the war and nationalism. In this movie, Michael Powell and Emeric Pressburger show their ideas of why the U.S. should join the Allied fight against the Nazis. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Plot Synopsis

Taglines:

and introducing MISS GLYNIS JOHNS (original poster) See more »

Genres:

Drama | War | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

UK

Language:

English | French | German

Release Date:

15 April 1942 (USA) See more »

Also Known As:

49th Parallel See more »

Edit

Box Office

Budget:

£132,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Ortus Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The prologue was narrated by Raymond Massey's elder brother Vincent Massey, the Canadian High Commissioner to the United Kingdom from 1935 to 1946. The elder Massey served as the first Canadian-born Governor General of Canada from 1952 to 1959. See more »

Goofs

When Philip Armstrong Scott and his men chase the Nazi into the cave it is only just a short while past sunset (about 10pm). But when they drag him out of the cave it is already sunrise. See more »

Quotes

[first lines]
Prologue: I see a long, straight line athwart a continent. No chain of forts, or deep flowing river, or mountain range, but a line drawn by men upon a map, nearly a century ago, accepted with a handshake, and kept ever since. A boundary which divides two nations, yet marks their friendly meeting ground. The 49th parallel: the only undefended frontier in the world.
See more »

Crazy Credits

Along with the credits for the actors at the beginning of the film, there is a 'starring' credit for 'The music of Ralph Vaughan Williams'. See more »

Alternate Versions

In the American edition, just as the German raises his arm to strike the motorist with the flat tire, and he begins to suspect that something's about to happen, the picture fades to black, but the scene does not stop: the sounds of the motorist being stuck, of him crying out, collapsing as his dropped soda bottle breaks on the ground, all are heard -- but it all goes on "underneath" a black screen. See more »

Connections

Featured in The Ultimate Film (2004) See more »

Soundtracks

Alouette
(uncredited)
Traditional French folksong
Sung to accompaniment of accordion by Laurence Olivier
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Subtle and intelligent analysis of liberal democracy
2 July 2001 | by gavin-62See all my reviews

Although 49th Parallel was conceived as a wartime propaganda film, and is predictably heavy-handed in places, it is more often surprisingly subtle and ambivalent. Michael Powell's creativity, individuality and directorial skill lift the film above the standard flag-waving banality which might be expected from the genre.

Although the general point of the film, particularly aimed at the Americans, is that the Nazis are evil and should be opposed, Nazis are in fact the central characters, and it could be argued that Lt. Hirth (Eric Portman) is the hero. Although he is clearly not a nice person and displays many of the cliched trappings of the stereotypical evil Nazi, he is portrayed sympathetically in some ways. It is possible to sympathise with him and his men because they are lost and alone in a foreign country which they cannot comprehend and where no-one can comprehend them. The war is shown not as a simple battle between absolute good and absolute evil, but as a clash of cultures. Hirth belongs to a German tradition of loyalty, obedience and service to the state which is much older than Hitler. He genuinely cannot understand the concepts of democracy, liberalism and individualism, and is completely bewildered by the lifestyle of the Hutterite community, asking not only "who is your leader?" but "what's the salute?". He is an idealist who believes that he and the rest of the Nazis know what is best for everyone. In Powell's view, the war is not just about democracy against dictatorship, but also liberalism against authoritarianism, individualism against conformity and, above all, pragmatism against idealism.

The way the conflict is illustrated through the German sailors' encounters with diverse Canadians is subtle, intelligent and highly effective. The Canadians are not portrayed as heroes. They have very human failings. They are mostly complacent, ignorant, and hypocritical. They try to bury their heads in the sand and pretend the war isn't happening until they are forced to make a decision by their unexpected encounters with Hirth and his men. Johnny, the French-Canadian fur trapper (Laurence Olivier, horribly miscast), comes across as arrogant and obnoxious, and seemingly has little interest in the war. Scott (Leslie Howard) is appallingly smug, hypocritical and self-absorbed, avoiding involvement in the war by retreating to the Rocky Mountains. Although he is fashionably disdainful of the Nazi leaders, he is unmoved by what they have done in Europe. He is only shaken out of his complacency when the Germans vandalise his books and paintings! Significantly, Hirth crows that " we kicked him out of the Reich years ago" as he burns Thomas Mann's latest book. Scott must have been aware of the sufferings of Thomas Mann and others in Nazi Germany, but felt no need to do anything about it.

The overall result is that although the individual Canadians are not heroic, they eventually make up their minds and join the fight against Nazism (as Powell hoped the Americans would). They each have their own reasons for this, reasons which are often selfish, ambiguous and prosaic. In this, they are the antithesis of the disciplined and idealistic Hirth. It is made clear that those who oppose the Nazis are not merely fighting out of blind loyalty to their countries, but nor are they fighting for any abstract ideal. Democracy is not portrayed as an ideal, but as a pragmatic solution: the worst system apart from all the others. The liberal democratic society of the western world is shown up as a mess, but it is a reasonably happy mess. It is superior to the nightmare of Nazi Germany precisely because it is pragmatic, flexible and individualistic. People are free to live their lives as they choose without an authoritarian government telling them what is best for them. For these reasons, 49th Parallel has an enduring resonance.

Vogel's defection to the Hutterites emphasises the humanity of the Germans and the fact that they were not all enthusiastic Nazis. But ironically, in leaving the Nazis, Vogel loses his sense of duty and becomes as hypocritical and self-obsessed as the Canadians. Although Vogel is not sympathetic to the Nazi cause and shows remorse for his involvement with it, he is not proposing to fight against it. He merely wants to hide from reality with the Hutterites and carry on baking bread, regardless of the outside world. His wish to go back to "how things used to be" is essentially the wish of an adult overwhelmed by reality to return to childhood. In this sense, as well as in the more literal military and legal senses, he is a deserter.

Overall, this is an exceptional film, despite some wooden acting and poor continuity, which gives the impression of drastic and ill-advised cuts. For example, in one scene the Germans are stealing a car, and in the next scene they are on a train, with no clue given as to what happened in between. It is not properly explained how the remaining two escaped from the crowd in Banff, and it seems far too easy for Hirth to get on to a plane and fly to Ontario. The scenery is magnificent (and magnificently shot) and the action is genuinely exciting, although the ending is completely absurd. 49th Parallel works as art and entertainment as well as propaganda, in contrast to Nazi films of the same era. The propaganda element is subtle and intelligent, making wider points which are still relevant today. The ultimate testament to the superiority of western liberal democracy is the fact that this film was made in the way it was and allowed to be shown. In an authoritarian dictatorship, Powell would most likely have been shot for treason for making a "propaganda" film so ambivalent and unflattering to the cause it was meant to promote. Narrow minded Nazis (like Hirth) would have been unable to grasp the deeper truths and humanist values at its heart.


71 of 107 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 63 user reviews »

Contribute to This Page



Recently Viewed