49th Parallel (1941)

A World War II U-boat crew are stranded in northern Canada. To avoid internment, they must make their way to the border and get into the still-neutral U.S.

Director:

Michael Powell

Writers:

Emeric Pressburger (original story and screenplay), Rodney Ackland (scenario)

Stars:

Leslie Howard, Laurence Olivier, Raymond Massey

Won 1 Oscar. Another 2 wins & 2 nominations.

Cast

Cast overview, first billed only:
Leslie Howard	...	Philip Armstrong Scott
Raymond Massey	...	Andy Brock
Laurence Olivier	...	Johnnie - The Trapper
Anton Walbrook	...	Peter
Eric Portman	...	Lieutenant Ernst Hirth
Glynis Johns	...	Anna
Niall MacGinnis	...	Vogel
Finlay Currie	...	The Factor
Raymond Lovell	...	Lieutenant Kuhnecke
John Chandos	...	Lohrmann
Basil Appleby	...	Jahner
Eric Clavering	...	Art
Charles Victor	...	Andreas
Ley On	...	Nick - the Eskimo
Richard George	...	Kommandant Bernsdorff

Storyline

In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's fanatical Nazi Captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces, leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crew's return to the Fatherland. He needs to reach the neutral U.S., or be captured. Along the way, they meet a variety of characters, each with their own views on the war and nationalism. In this movie, Michael Powell and Emeric Pressburger show their ideas of why the U.S. should join the Allied fight against the Nazis.

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Plot Keywords:

u boat | episodic structure | propaganda | world war two | bare chested male | 

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Taglines:

THE MIGHTEST MANHUNT THAT EVER SWEPT THE SCREEN! (original poster-all caps)

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Genres:

Drama | War | Thriller

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Certificate:

Not Rated

Details

Country:

UK

Language:

English French German

Release Date:

15 April 1942 (USA)

Also Known As:

49th Parallel

Filming Locations:

Associated Sound News Studios, Montréal, Québec, Canada

Box Office

Budget:

£132,000 (estimated)

Gross USA:

$5,000,000, 31 December 1942

Company Credits

Production Co:

Ortus Films

Technical Specs

Runtime:

123 min 122 min (TV)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Peter Cushing had gone to Hollywood before the war, but things hadn't worked out too well, and he ended up doing a variety of odd jobs, which is how he came to be making props (not acting) on this movie. One day he had the job of making flags for model boats to be pushed around a map, and he made a lot of swastikas and laid them out in his digs. They were found by his landlady, who promptly called the police.

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Goofs

On the map of North America shown after the opening credits, the eastern boundary of North Dakota is inaccurately drawn, bulging out well into Minnesota, where in fact the border between the states is an almost straight, though slightly slanted, line.

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Quotes

[first lines]
Prologue: I see a long, straight line athwart a continent. No chain of forts, or deep flowing river, or mountain range, but a line drawn by men upon a map, nearly a century ago, accepted with a handshake, and kept ever since. A boundary which divides two nations, yet marks their friendly meeting ground. The 49th parallel: the only undefended frontier in the world.

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Crazy Credits

Along with the credits for the actors at the beginning of the film, there is a 'starring' credit for 'The music of Ralph Vaughan Williams'.

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Alternate Versions

In the American edition, just as the German raises his arm to strike the motorist with the flat tire, and he begins to suspect that something's about to happen, the picture fades to black, but the scene does not stop: the sounds of the motorist being stuck, of him crying out, collapsing as his dropped soda bottle breaks on the ground, all are heard -- but it all goes on "underneath" a black screen.

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Connections

Referenced in Return to the Edge of the World (1978)

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Soundtracks

Alouette
(uncredited)
Traditional French folksong
Sung to accompaniment of accordion by Laurence Olivier

User Reviews

The best of all propaganda films.

Unless you believe George Orwell's claim that all art is propaganda; which, with all due respect to one of the twentieth century's finest minds, is poppycock. The propaganda film is a special kind of film, usually unbearable garbage. This one is an exception.

A German U-boat is sunk just off the coast of Canada and the surviving crew must make it through hostile enemy country to the neutral United States. After a short while their plight becomes known and the whole world is watching to see which nation, Canada or Germany, can manage to win the metaphorical battle.

The most interesting thing - considering the movie as propaganda - is that Powell's intended audience was the United States: he wanted to get that country involved in the war, or at least get the people of that country to support the war. Realise this and you realise how remarkably subtle the film is. Not once is Powell's goal explicitly stated or even alluded to; and even the underlying message (the USA *is* involved in the war, whether it wants to admit it or not) requires some thought to work out. Yet it's an integral part of the story. More explicit is the democracy vs. dictatorship theme, which is hammered home a number of different ways, not all of them obvious. (This theme is handled a bit too obviously now and then, I'll admit.)

Another interesting fact is that the hero of the story is either democracy, or Canada, or the Western Allies, or some such - no one person plays the role. The central characters are the Germans. In fact they're all quite likable (except for the doctrinaire Nazi, of course). Powell bends over backwards to inhibit anti-German sentiment. Despite all this we are not once on the Germans' side. We want them to be captured so long as they continue to serve an evil regime.

It's also a beautifully shot travelogue of Canada. And Ralph Vaughan Williams's score is lovely. He was seventy or so when he wrote it; he'd never written for the cinema before; he had his own ideas about what film music should be like.