The stork delivers a baby elephant to Mrs. Jumbo, veteran of the circus, but the newborn is ridiculed because of his truly enormous ears and dubbed "Dumbo". After being separated from his mother, Dumbo is relegated to the circus' clown acts; it is up to his only friend, a mouse, to assist Dumbo to achieve his full potential.Written by
Tim Pickett <firstname.lastname@example.org>
This film was added to the U. S. National Film Registry in December 2017. See more »
The Matriarch always leads her group of female elephants, which includes being in front with all the other females following her. The Matriarch enters the wagon last when the train is loaded. See more »
Through the snow, and sleet, and hail / Through the blizzard, through the gale / Through the wind and through the rain / Over mountain, over plain / Through the blinding lightning flash / And the mighty thunder crash / Ever faithful, ever true / Nothing stops him, he'll get through.
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The RKO logo is in gold on a blue background within a stylish gold border; all of this is on a red background. See more »
The last theatrical release of the film that featured RKO title cards was in 1949. When it was re-released in 1959, it was replaced by Buena Vista title cards and was the same way until 2001, when the film was released on DVD for the first time for its 60th anniversary and all references to RKO were restored. (The 1995 laserdisc release actually did retain the RKO titles before then.) See more »
Disney had spent vastly more money than he'd planned on "Pinnochio" and "Fantasia", and got little of it back. "Dumbo", next off the rank, was made cheaply, quickly, without fuss. The result is simple but handsome. However handsome "Dumbo" looks, the animation is not very detailed, character design is hardly adventurous, the colours are few but bright, and in an hour it's over. It needn't be more than this, though: the story is far from complicated. It is, I'll admit, a story that has made me cry more than once; and in this instance I don't feel that I've been cheated into crying, because there really is something poignant and heartbreaking about this ugly duckling variant.
Like Hans Andersen, Disney has to pad the outfit a bit to make it fill the space available; yet, with the exception of the introductory bit with the storks, it doesn't feel like padding. In fact the most gratuitous piece of padding is the most necessary. I refer to the pink elephants sequence: a masterpiece of extended unreality (caused by such a tiny quantity of champagne!) which dazzles and sizzles and all but soars out of the screen. It's the sting in Dumbo's tail, and nothing produced since can match its verve.
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