The Devil and Daniel Webster (1941)

A nineteenth-century New Hampshire farmer who makes a pact with Satan for economic success enlists Daniel Webster to extract him from his contract.

Director:

William Dieterle

Writers:

Stephen Vincent Benet (story "The Devil and Daniel Webster"), Dan Totheroh (screen play)

Stars:

Edward Arnold, Walter Huston, Jane Darwell

Won 1 Oscar. Another 1 win & 1 nomination.

Cast

Complete credited cast:
Edward Arnold	...	Daniel Webster
Walter Huston	...	Mr. Scratch
Jane Darwell	...	Ma Stone
Simone Simon	...	Belle
Gene Lockhart	...	Squire Slossum
John Qualen	...	Miser Stevens
H.B. Warner	...	Justice Hawthorne
Frank Conlan	...	Sheriff
Lindy Wade	...	Daniel Stone
George Cleveland	...	Cy Bibber
Anne Shirley	...	Mary Stone
James Craig	...	Jabez Stone

Storyline

A down-on-his-luck farmer makes a deal with the devil for seven years of prosperity. When Mr. Scratch comes to collect, orator and hero of the common man Daniel Webster comes to the rescue.

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Plot Keywords:

horse drawn sleigh | soul | devil | new hampshire | deal with the devil | 

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Taglines:

STEPHEN VINCENT BENET'S Amazing Saturday Evening Post Story

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Genres:

Comedy | Drama | Fantasy

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

17 October 1941 (USA)

Also Known As:

Daniel and the Devil

Company Credits

Production Co:

William Dieterle Productions

Technical Specs

Runtime:

107 min 85 min (cut)

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Bernard Herrmann's score makes extensive use of traditional American folk tunes, a practice that was something of a popular trend in the American classical music scene of the 1930s and early 1940s. One song he adapted was the early 19th Century "Springfield Mountain", describing the plight of a farmer. When his erstwhile friend Aaron Copland used the same tune in his 1942 concert piece "Lincoln Portrait", Herrmann reportedly sent him a hot letter accusing Copland of plagiarism.

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Goofs

Characters in this film set in pre-Civil War America routinely use the phrase "loan shark" despite the fact that it came into the English language between 1900 and 1905.

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Quotes

Daniel Webster: If two New Hampshire men aren't a match for the devil, we'd better give this country back to the Indians.

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Crazy Credits

Opening credits prologue: It' s a story they tell in the border country, where Massachusetts joins Vermont and New Hampshire. It happened, so they say, a long time ago. But it could happen anytime - anywhere - to anybody . . . .

Yes - it could happen to you.

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Alternate Versions

Over the years, this film was re-released more than once, partly because of its poor box office, and gradually cut down to 85 minutes. It remained in this form for many years, until it was recently restored to its full length. When this was done in the 1990s, it was unfortunately all too easy to tell which sections are restored... all the footage from the 85 minute version was in absolutely pristine, mint condition, while the long-lost, formerly missing footage has less than perfect sound and picture quality. However, the quality has been considerably improved on the DVD and on recent TV showings.

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Connections

Referenced in Fantasy Island: The Devil and Mandy Breem/The Millionaire (1980)

User Reviews

My favorite movie

Why would someone who has thoroughly enjoyed movies such as "Judge Dredd" and "Wild at Heart" consider this to be "my favorite movie"?

One word - "fantasy". It's my favorite movie category, and this is the best one that I've ever seen. The 1940s was the decade in which horror melodramas and fantasies really began to ramp up, and this movie helped to set the standard. Stephen Vincent Benet's story is a bit changed, but not enough to diminish this American Gothic tale.

Aside from being superior entertainment, the movie simply has no weaknesses. Where to start? The casting and acting are extraordinary. Though both are most often remembered for other movies, Edward Arnold and Walter Huston turn in their best performances here. Simone Simon (known today for the "Cat People" movies) is exceptional as Belle. Anne Shirley, James Craig, and the stellar supporting cast are also great.

This is Bernard Herrmann's best film score. William Dieterle's direction is quirky and involving, propelling the film along at a fast clip. Admittably, the characters are caricatures, but Dieterle helps us to feel their trials and tribulations. The movie also features brilliant cinematography, exceptional production values, and truly superior editing (this was an early job for director Robert Wise). The scenes are quite stagey, but never disjointed - the logic of the story is unmistakable and riveting.

Huston is the ultimate "Mr. Scratch". I've seen this show many times, and it's a 10/10.