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The Devil and Daniel Webster (1941)

All That Money Can Buy (original title)
Passed | | Comedy, Drama, Fantasy | 17 October 1941 (USA)
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1:57 | Trailer

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A nineteenth-century New Hampshire farmer who makes a pact with Satan for economic success enlists Daniel Webster to extract him from his contract.

Director:

Writers:

(story "The Devil and Daniel Webster"), (screen play) | 1 more credit »
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Won 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Boxer Joe Pendleton dies 50 years too soon due to a heavenly mistake, and is given a new life as a millionaire playboy.

Director: Alexander Hall
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Cast

Complete credited cast:
... Daniel Webster
... Mr. Scratch
... Ma Stone
... Belle
... Squire Slossum
... Miser Stevens
... Justice Hawthorne
Frank Conlan ... Sheriff
... Daniel Stone
... Cy Bibber
... Mary Stone
... Jabez Stone
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Storyline

A down-on-his-luck farmer makes a deal with the devil for seven years of prosperity. When Mr. Scratch comes to collect, orator and hero of the common man Daniel Webster comes to the rescue. Written by Little Pine Weasel <kristinat@cerritos.edu>

Plot Summary | Add Synopsis

Plot Keywords:

birth | bible | cow | crop | damnation | See All (112) »

Taglines:

A GREAT MOTION PICTURE DARES TO BE DIFFERENT! (original print media ad - all caps) See more »

Genres:

Comedy | Drama | Fantasy

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

17 October 1941 (USA)  »

Also Known As:

A Certain Mr. Scratch  »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

William Dieterle was known to have some eccentricities as a director. He believed in astrology and started shooting a few days ahead of schedule because his horoscope indicated he should. See more »

Goofs

Shortly after filming had begun, Thomas Mitchell fractured his skull and was replaced by 'Edward Arnold'. Not many scenes had been shot, none were re-shot, so Mitchell is still visible in some scenes. See more »

Quotes

Daniel Webster: I wish to cross-examine the witness...
Justice John Hathorne: There will be no cross-examination in this court. You may speak, if you like. But let me warn you, Mr. Webster - if you fail to convince us, then you, too, are doomed.
[Webster reels]
Justice John Hathorne: [whispering] Lost and gone... lost and gone...
The Jury: Drag him down with us...
Daniel Webster: BE STILL!
See more »

Crazy Credits

Opening credits prologue: It' s a story they tell in the border country, where Massachusetts joins Vermont and New Hampshire. It happened, so they say, a long time ago. But it could happen anytime - anywhere - to anybody . . . .

Yes - it could happen to you. See more »

Connections

Referenced in Film Geek (2005) See more »

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User Reviews

 
My favorite movie
3 August 2003 | by See all my reviews

Why would someone who has thoroughly enjoyed movies such as "Judge Dredd" and "Wild at Heart" consider this to be "my favorite movie"?

One word - "fantasy". It's my favorite movie category, and this is the best one that I've ever seen. The 1940s was the decade in which horror melodramas and fantasies really began to ramp up, and this movie helped to set the standard. Stephen Vincent Benet's story is a bit changed, but not enough to diminish this American Gothic tale.

Aside from being superior entertainment, the movie simply has no weaknesses. Where to start? The casting and acting are extraordinary. Though both are most often remembered for other movies, Edward Arnold and Walter Huston turn in their best performances here. Simone Simon (known today for the "Cat People" movies) is exceptional as Belle. Anne Shirley, James Craig, and the stellar supporting cast are also great.

This is Bernard Herrmann's best film score. William Dieterle's direction is quirky and involving, propelling the film along at a fast clip. Admittably, the characters are caricatures, but Dieterle helps us to feel their trials and tribulations. The movie also features brilliant cinematography, exceptional production values, and truly superior editing (this was an early job for director Robert Wise). The scenes are quite stagey, but never disjointed - the logic of the story is unmistakable and riveting.

Huston is the ultimate "Mr. Scratch". I've seen this show many times, and it's a 10/10.


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