Eccentic, elderly matron Patience Nodbury has a treasure map she's inherited from Black Hook, her pirate ancestor. To foil a mysterious thief who has tried to steal it, she divides it into four pieces, three of which she gives to fellow passengers booked to sail on the Suva Star, an old wooden sailing ship chartered for a treasure hunt on an offshore island. She is convinced that, according to family tradition, Black Hook will visit her before she dies. When the peg-legged "ghost" does just that, and she suffers a fatal heart attack, Charlie and Jimmy are faced with a boatload of red herrings including Bill Lydig, an escaped convict, Gene LaFarge, a certifiable neurotic accompanied by a personal psychiatrist, and the embittered Captain Kane, who was marooned on a deserted island by his ex-partner and vows revenge.Written by
The twenty-eighth of forty-seven Charlie Chan movies. See more »
When Jimmy Chan is in a tavern, while he is crouched down against a wall, a dart is thrown at a target near him. When he rises, the guide wire can be seen for the dart against his dark sweater. See more »
This is a rather strange film, as the plot is amazingly unusual. While this doesn't mean the plot is great, at least it deserves kudos for being different! The film begins with Charlie coming to the docks to look for his incredibly stupid son, Tommy. In the process, however, naturally he stumbles into a murder--something he does practically all the time!! This time, however, the setting on board an old fashion sailing ship (circa 1800) and the story of a vengeful pirate ghost and a treasure map make this a weird tale indeed! As I said, it isn't a great plot--mostly because it was so contrived and tough to believe. However, it still managed to be fun.
The star of this film wasn't actually the actors but the set design and cinematography. The director had quite an artistic eye and it has to be the prettiest and best filmed Chan movie of all time. With fascinating angles, a Film Noir-like look and a creepy locale, this is a breathtaking film for film students. Just because the Chan films were relatively low budget, this time there was just a little something extra.
About the only negative, and it's a minor one, is the running gag of having Tommy fall into the harbor. Once or twice is funny--four times is simply too much.
Overall, a pretty but average Twentieth-Century Fox Charlie Chan film.
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