A veteran World War I fighter pilot returns home a war hero and immediately regains his former job as a railroad company detective. His first case: recover a stolen satchel filled with ... See full summary »
Richard E. Norman
Boise De Legge
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John Walden, left home 20 years earlier and has been "passing" as white in a town where no one knew of his background. He returns home to take his now grown sister back with him so she too ... See full summary »
In the rural south of the United States, a godly young woman is accidently wounded by her unchurched husband. She succumbs to the injuries, whereupon a good angel bids her to journey with him to the Crossroads of Life. Before she can travel far, the devil lures her with the temptations of juke joints and the city. Can she regain the straight and narrow before it's too late? And what is to become of those she left behind?Written by
Thomas McWilliams <firstname.lastname@example.org>
Fabulous, in more than one sense of that word. A unique and wonderful film. Angels and other visions float in and out of a surreal Southern landscape. The acting is perfectly suited to what is clearly a director's film. The music includes lots of downhome spirituals, and some blues and jazz. The vaudeville scene, with that contortionist woman, is something else. The swing dancing in the jook joint also is terrific. The story is felt more than told. High artistry -- I might have to see it a few more times to really understand it. It also is marvelous to consider what Williams must have gone through to finance and make and promote and distribute this film. True art has a way of getting made and getting out there, somehow.
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