In Lincoln, the ambitious aspirant-designer Rae Smith has an incident with a wolf department store businessman and is rescued by the Marine Paul Saxon. They immediately fall in love with ... See full summary »
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the... See full summary »
William A. Seiter
When her lover is killed, the wife of a wealthy man is convinced to fake her own death, which leads her into greater depths of depravity until fate reunites her with her long-lost son, who is unaware of her real identity.
David Lowell Rich
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every ... See full summary »
Pretty Rae Smith and handsome Walter Saxel meet, fall in love and make plans to marry. Unfortunately, their marriage plans get sabotaged when a jealous beau makes Rae miss the ceremony. The two meet many years later in New York, only now Walter is married. Refusing to be shut out of his life, Rae agrees to be Walter's mistress.Written by
Daniel Bubbeo <firstname.lastname@example.org>
Margaret Sullavan is one of my all-time favorite actresses with her husky voice and haunting screen presence. The original version in 1932 with Irene Dunne and John Boles was dull and stage-bound; the later version with Susan Hayward was just too gaudy. This is the version to watch!
Margaret gives an exquisitely heart-rending performance as a turn-of-the-century miss who falls in love with a man (played by the smooth but oh-so-serious Charles Boyer). Fate intervenes and the two lovers are separated. They meet again years later, but, true to the classic weeper formula, he is married. Despite her better judgment, she carries on a "Back Street" romance with him for many years until their untimely demises.
Promoted with the tag line, "If you have tears, be prepared to shed them", this movie does involve some suspension of disbelief. For example, for such a level-headed gal, why does Margaret allow Boyer to treat her so shabbily? Just when I am about to shake my head and yell "Why?", Margaret then either let loose with the tears or try to hide the choking sob in her voice, and I'm transfixed all over again.
This film does feature solid direction, beautiful photography and some good supporting performances (I particularly liked Frank McHugh in this one). This film remains on my "Wish-They-Release-This-One-on-Video" list.
18 of 21 people found this review helpful.
Was this review helpful to you?
| Report this