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Under Your Hat (1940)

Inept Secret Agent on a job in the South of France is followed by his suspicious wife. She masquerades as a maid and chaos ensues.


Maurice Elvey


Jack Hulbert (musical play written by), Archie Menzies (musical play written by) | 6 more credits »


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Cast overview, first billed only:
Jack Hulbert ... Jack Millett
Cicely Courtneidge ... Kay Millett
Austin Trevor ... Boris Vladimir
Leonora Corbett Leonora Corbett ... Carole Markoff
Cecil Parker ... Sir Jeffrey Arlington
Anthony Hayes Anthony Hayes ... George (as Tony Hayes)
Charles Oliver ... Carl
Charles Eaton Charles Eaton
H.F. Maltby H.F. Maltby ... Colonel Sheepshanks
Mary Barton Mary Barton ... Mrs. Sheepshanks
Paul Sheridan Paul Sheridan
Glynis Johns ... Winnie
Myrette Morven Myrette Morven ... Miss Stevens
Roddy Hughes ... Film Director
John Robinson John Robinson ... Performer


Inept Secret Agent on a job in the South of France is followed by his suspicious wife. She masquerades as a maid and chaos ensues.

Plot Summary | Add Synopsis


London's Record Long-Run Musical Comedy Now On the Screen With Original Co-Stars!


Adventure | Comedy


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Release Date:

1 September 1940 (UK) See more »

Also Known As:

Intriga aérea See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


This is one of about three dozen British films picked up by CBS in 1949 for USA television presentation; in Los Angeles its initial telecast took place Saturday 6 August 1949 on KTTV (Channel 11), in Chicago Saturday 13 August 1949 on WGN (Channel 9), in Cincinnati Monday 29 August 1949 on WCPO (Channel 7) and in New York City Saturday 17 September 1949 on WCBS (Channel 2). Since this title had never been shown theatrically in the USA, these showings also constituted its multiple USA premieres. See more »


I Won't Do The Conga
Written and Composed by Harry Acres Claude Hulbert and Felix King
Performed by Jack Hulbert and Cicely Courtneidge (uncredited)
Played by Don Marino Baretto (as Don Marino Baletto And His Rhumba Music)
From The Embassy Club
By arrangement with Lee Ephraim
See more »

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User Reviews

Droll example of early-war theatrical amusements
18 March 2010 | by eschetic-2See all my reviews

In their final starring vehicle together, British film and stage stalwarts Cicely Courtneidge and husband Jack Hulbert give a grand tour of the kind of pre-war comedy played at break-neck pacing which permeated British film comedies and simply pleased the people before the sublime literacy of the Pascal Shaw films, Noel Coward and the Ealing comedies set a world standard for a more literate amusement.

With war clouds gathering in Europe (the film would not be released until a few months after Hitler marched into Poland), the free passage of British citizens to the south of France (here in the service of the kind of light espionage plot the U.S. Charlie Chan films had exploited in CHARLIE CHAN AT THE OLYMPICS a few years earlier) still must have seemed normal during the "phony war" before the Nazi invasion of France and Dunkirk.

That the "missing secret carburetor" should be found in a light training plane testifies to the slight budget of the comedy, but is more than contradicted by the lavish musical numbers which the film owes to its origin as a musical stage hit.

Cicely Courtneidge (later Dame Cicely) has little American equivalent, although a more refined Joan Davis might come close, and writer/husband Jack Hulbert may remind some as a cross between a funnier Ray Bolger and a less suave Fred Astaire. They played together as perfectly British a comedy couple (and musical to boot!) as Nick and Nora Charles were a distinctly American twosome with or without the mystery or music as underpinning to their comedy through a dozen successful if not quite classic pre-war comedies together and apart before their style comedy was relegated back to the stage from whence it came by the perception that wartime movie audiences wanted something more profound - and yet modern audiences will see some of their comic heritage in the "modern' work of John Cleese and the Monte Python generation. That their work is so seldom seen on this side of the Atlantic is our loss and makes a serious hole in any true understanding of our theatrical and comedic heritage.

UNDER YOUR HAT was enough of a hit to lend a semblance of its title to Hulbert & Courtneidge's postwar stage hit based on the black market, UNDER THE COUNTER, which played over a year in London and another in OZ (but barely held out a month on Broadway separated as it was by a profoundly different wartime experience and five years of OKLAHOMA's progeny). The pair soldiered on as the institutions they had become long after (I was lucky enough to see them two years before Hulbert's passing in a 1976 Guildford tryout of a biographical revue called ONCE MORE WITH MUSIC, and it was clear that they could still hold stage with the best of "modern" talents for any comedy, drama or musical demands).

Audiences expecting a MY FAIR LADY of musical construction and already well known songs are not looking for UNDER YOUR HAT, but as a historically interesting diversion that still holds the attention and sports music that is surprisingly fresh and tuneful will not be disappointed.

Well worth a look.

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