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Swing Social (1940)

Approved | | Animation, Short, Comedy | 18 May 1940 (USA)
A preacher advises a brother from the congregation that he will not be catching any black bass on the Sabbath, as the fish are having their own "swing social."

Directors:

(uncredited), (uncredited) | 1 more credit »
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Cast

Uncredited cast:
Billy Mitchell ... Deacon / Male Black Bass (voice) (uncredited)
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Storyline

Another one of those cartoons that gets the political-incorrect, history revisionists all knotted up. The Deacon is on his way to church in the Deep South and sees a brother from the congregation setting out to do some Sunday fishing. The preacher advises the fisherman that he will not be catching any fish on the Sabbath, as the fish are having their own underwater camp-meeting. Written by Les Adams <longhorn1939@suddenlink.net>

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Certificate:

Approved | See all certifications »
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Details

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Release Date:

18 May 1940 (USA)  »

Also Known As:

Sunnuntaisvingiä  »

Company Credits

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Technical Specs

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

[first lines]
Chorus: [singing] Swing low, sweet chariot, / Comin' for to carry me home. / Swing low, sweet chariot, / Comin' for to carry me home.
Deacon: Er, uh, good mornin', Brother Brown.
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Soundtracks

Swing Low, Sweet Chariot
Written by Wallis Willis
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User Reviews

 
Swing Social is entertaining if a little politically incorrect
7 June 2007 | by See all my reviews

In this politically incorrect cartoon from 1940, a black preacher on Sunday has caught a black fisherman not going to church. He then tells of why black fish don't bite on the sabbath as we are treated to a musical sequence of Negro fish singing about the devil and what he represents and how to defeat him. I suppose one should be relieved that the human black characters are only seen from the neck down though there's still some of the mangled English dialect to deal with. The music is for the most part entertaining and mostly avoids stereotyping (brief fried chicken sequence notwithstanding). Certainly worth seeing for anyone who loves swing music and loves all '30s and '40s animation styles. Directed by Rudolf Ising who previously created Bosko with Hugh Harmon.


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