Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Geoffrey Thorpe (Errol Flynn) is an adventurous and dashing pirate, who feels that he should pirate the Spanish ships for the good of England. In one such battle, he overtakes a Spanish ship, and when he comes aboard, he finds Doña Maria (Brenda Marshall), a beautiful Spanish royal. He is overwhelmed by her beauty, but she will have nothing to do with him because of his pirating ways (which include taking her prized jewels). To show his noble side, he suprises her by returning the jewels, and she begins to fall for him. When the ship reaches England, Queen Elizabeth I (Dame Flora Robson) is outraged at the actions of Thorpe and demands that he quit pirating. Because he cannot do this, Thorpe is sent on a mission, and in the process, becomes a prisoner of the Spaniards. Meanwhile, Doña Maria pines for Thorpe, and when he escapes, he returns to England to uncover some deadly secrets. Exciting duels follow as Thorpe must expose the evil and win Doña Maria's heart.Written by
Julie Sherman <email@example.com>
Warner Brothers constructed a huge soundstage then known as the Maritime Stage. It had an internal tank that could be flooded. The stage was large enough to house two full-sized sailing ships positioned side-by-side. A specially constructed backdrop mechanism realistically simulated the waves. The stage, numbered 21, was, at the time, the largest soundstage on the Warner Brothers lot and the second largest in Hollywood, second only to MGM's cavernous Stage 15. The Maritime Stage was destroyed by fire in 1951. See more »
Horse teams are carefully assembled so that they work well together, with each position having a horse that does well in that position. One cannot simply take a horse without team experience - such as the typical Hollywood saddle mounted horses - and use them on a team. When Doña Maria takes the carriage, the right front horse is fighting the team rig, constantly trying to bolt and running at an angle to the rig. This is clearly a saddle horse and an extremely disturbed one, given the circumstances. See more »
King Philip II:
The riches of the New World are limitless, and the New World is ours - with our ships carrying the Spanish flag on seven seas, our armies sweeping over Africa, the Near East, and the Far West; invincible everywhere... but on our own doorstep. Only northern Europe holds out against us; why? Tell me, why?
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In the DVD version, the scenes in which Captain Thorpe and his men are in South America are tinted (as opposed to colorized), as they were upon the film's original release. Several other black-and-white films use this 'tinted" effect during suspenseful scenes, notably, "Portrait of Jennie". See more »
It's Erich Wolfgang Korngold who carries "The Sea Hawk". He picks it up at the first frame with a rousing trumpet fanfare; he follows the story all the way from England to Panama, where a kind of syncopated not-jazz-exactly with saxophones makes its way into the score; he even bursts into song (well, not him personally) when Captain Thorpe's and his crew win through to freedom - and, after so much musical participation, that moment when the sailors become a chorus never strikes me as unnatural.
Korngold's brisk motion would count for nothing if the actors or the direction or the story were lethargic, of course - and they aren't. Errol Flynn plays an "I know I'm breaking international law, but hey, I'm charming and dashing and the Spaniards aren't" role - and hey, he IS charming and dashing, and the Spaniards aren't. A lot of films are described as roller-coaster rides. Many of them are just one thing after another, and don't feel at all like a single ride in a single vehicle. With "The Sea Hawk", I'm not sure about the vehicle, but we ARE taken on a single, swift ride. Few adventure films can beat it.
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