A shy lady's companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter. She and Max fall in love, marry and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter clashes with the housekeeper, Mrs. Danvers, and discovers that Rebecca still has a strange hold on everyone at Manderley.Written by
Col Needham <email@example.com>
Sir Alfred Hitchcock frequently clashed with producer David O. Selznick over Hitchcock's habit of cutting in-camera. Rather than give Selznick several complete shots of each set-up so the movie could be assembled in a variety of ways, Hitchcock had the final cut already worked out before shooting, and filmed only as much of each long shot and close-up as he planned to use in the movie. See more »
Twice during the movie, Maxim leaves Manderley to travel to London, once by train and another by car. On each occasion, he manages to get back before dark. Manderley is in Cornwall, as far from London as you can get, and even with 21st century roads, cars and trains, that feat would be impossible. This error is copied from the novel. See more »
The original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'". See more »
The opening credits were re-done (with different font) for the 1950's re-release of the movie. It is these credits that have turned up on all telecasts of the film (even as recently as 2013) and all previous video releases. The Criterion release (which is now only available through outlet stores) restores all of the credits to their original form. See more »
This is one of my favorite movies of all time. Definitely my favorite classic. There are some that come close, such as Citizen Kane, Spellbound, and Psycho, but none quite compare to this amazing movie.
The first thing that you notice is the outstanding cinematography. You have to remember that this movie was made in 1940, when they didn't have the technology we have now. But that first shot of the water beating up against the rocks grabs you and for one split second you wonder if maybe this isn't part of the movie but rather something filmed just recently. But then you see the familiar face of Laurence Olivier, reminding you that this was made 60 years ago, a fact that forever amazes me. The only oscar it won besides Best Picture was well deserved.
Another thing that makes it such a wonderful film is the acting. I have debated on whether Laurence Olivier's character, the tortured Maxim de Winter, is the pitiable character or if his second wife played by Joan Fontaine is really the one to feel sorry for. Every time I watch it I see it from a different point of view. Joan Fontaine is excellent. Laurence Olivier is wonderful, but that's no surprise. The only thing that bugs me is that it seems in every movie he's in (well, at least, everything I've seen him in), he always plays the same type of character. But he's extremely good at it, so I suppose it doesn't matter.
But although Joan Fontaine and Laurence Olivier are wonderful, Judith Anderson steals the show! The first time I watched the movie, I was immediately grabbed by her stunning performance as the sinister Mrs. Danvers. You hardly notice the other characters when she's in the scene. She acted the part so well that it's strange to imagine that she was any different in real life.
With a wonderful storyline, and a very surprising ending, Rebecca well deserves the title as the only of Hitchcock's films to win the oscar for Best Picture. Although it may not be the most famous of all his films, it is without a doubt the greatest
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