122 user 22 critic

Pride and Prejudice (1940)

Approved | | Drama, Romance | 26 July 1940 (USA)
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to ... See full summary »


Robert Z. Leonard


Aldous Huxley (screen play), Jane Murfin (screen play) | 2 more credits »

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Won 1 Oscar. Another 1 win. See more awards »


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Cast overview, first billed only:
Greer Garson ... Elizabeth Bennet
Laurence Olivier ... Mr. Darcy
Mary Boland ... Mrs. Bennet
Edna May Oliver ... Lady Catherine de Bourgh
Maureen O'Sullivan ... Jane Bennet
Ann Rutherford ... Lydia Bennet
Frieda Inescort ... Miss Bingley
Edmund Gwenn ... Mr. Bennet
Karen Morley ... Mrs. Collins
Heather Angel ... Kitty Bennet
Marsha Hunt ... Mary Bennet
Melville Cooper ... Mr. Collins
Edward Ashley ... Mr. Wickham
Bruce Lester ... Mr. Bingley
E.E. Clive ... Sir William Lucas


Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to live nearby, the Bennets have high hopes. But pride, prejudice, and misunderstandings all combine to complicate their relationships and to make happiness difficult. Written by Snow Leopard

Plot Summary | Add Synopsis


Five charming sisters on the gayest, merriest manhunt that ever snared a bewildered bachelor! Girls! Take a lesson from these head hunters. See more »


Drama | Romance


Approved | See all certifications »

Parents Guide:

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Release Date:

26 July 1940 (USA) See more »

Also Known As:

Más fuerte que el orgullo See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


Production was initially scheduled to begin in October 1936 under Irving Thalberg's supervision, with Clark Gable and Norma Shearer in the leading roles. Following the death of Thalberg on September 13, 1936, pre-production activity on this movie halted. See more »


In the first "Ball" scene, right after Elizabeth says to Jane, "My goodness, he does have an air about him.", the camera pans onto the dancers. If you watch the 4th girl from the camera (17: 50 minutes), when the women curtsy, #4 almost tips over and shoots a worried glance toward the director. See more »


Mr. Darcy: You must allow me to tell you how much I admire and love you.
See more »

Crazy Credits

Opening credits prologue: It happened in OLD ENGLAND . . . . in the village of Meryton . . . . See more »


Featured in Pride and Prejudice Revisited (2005) See more »


Wedding March
(1842) (uncredited)
Composed by Felix Mendelssohn-Bartholdy
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Frequently Asked Questions

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User Reviews

Whether to laugh or cry? That's an easy one!
1 November 2003 | by JohnSolSee all my reviews

Even ignoring my new-found passion for Austen (yes, I'm one of those) and the fact that I had just finished reading P&P literally days before viewing this version of it, I find it hard to believe that so many reviewers find anything of value in this unfortunate production - clearly stamped out on the MGM studio factory line, with little care or thought, like so many of the films of the period. Fortunately, my love of the novel, and of the superior Ehle/Firth version, allowed me to dismiss this with very little pain.

With that said, though, I still must comment on one thing that really seemed to miss the mark, and that I don't see mentioned elsewhere, and that was the way the Bennet sisters were presented. They ALL seemed like silly little girls and, although Garson's Elizabeth had an opportunity to demonstrate how "modern" her thinking was, she still came off as comical, not to be taken seriously. Austen made a very clear distinction in her work, between Lizzy and Jane on the one hand (intelligent, reflective, serious and sensitive) and their 3 younger sisters (flighty, man-hungry, vacuous), and that difference provided a potent (frequently humourous) backdrop to the character development and plot in her work. This version didn't even come close to presenting such a distinction.

Others' comments take care of the rest of my objections to this drivel, so I won't repeat them here. But I will add that even Olivier couldn't save it for me. He seemed the same person throughout the entire movie. Charming, yes, but did he show any sign of having accomplished the transformation that Elizabeth helps bring about in him in the real story? Did he learn anything about himself in the course of his relationship with her - other than her superior skill at archery (which, in its attempt to show her to be full of surprises and quite capable of upsetting Darcy's composure, only added to all the silliness).

The novel helps us understand how bright, intelligent and introspective individuals can accept their limitations, change their way of thinking about others and themselves and grow tremendously in the process. This MGM outing was more like an Andy Hardy movie with pretty costumes and a faux British setting.

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