Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense. Her poise, graciousness and stoicism impress nearly everyone who meets her. Her husband is certainly without doubt; so is the district officer; while her lawyer's doubts may be a natural skepticism. But this is Singapore and the resentful natives will have no compunction about undermining this accused murderess. A letter in her hand turns up and may prove her undoing.Written by
Jack L. Warner originally asked William Wyler to test James Stephenson for the role of the lawyer. Wyler was surprised at how suited Stephenson was for the part and then was astonished when Warner balked at casting him, worrying about the stock player's lack of name recognition. Wyler insisted on keeping him, putting him in the odd position of having to fight to cast an actor that Warner had originally suggested. See more »
When Leslie and the others leave and Leslie shuts the door, Howard walks through the door twice. See more »
I'll do whatever you think is right.
I don't think it's right, but I think it's expedient. Juries can sometimes be very stupid, and it's just as well not to worry them with more evidence than they can conveniently deal with.
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Also shown in computer colorized version. See more »
I can't help comparing "Witness for the Prosecution (1957)" with this one "The Letter," as they represent a good study in contrast. The former I recall has many bouts of loud dialogue, in particular the courtroom scenes of constant shouting which reach fever pitch at times. Whereas in this "Letter" movie the atmosphere is ever so subtle, very subdued dialogue, and far more impressive because of it. I rather liken it to a warrior noisily clashing by day on the battlefield contrasted by another kind of warfare, that of stealth night fighting in shadows and lit only by moonlight. Both these movies deal with the guilt or innocence of the main character.
Bette Davis gives one of her great portrayals, and Herbert Marshall as the sympathetic husband is well suited to the role, with that wonderful voice of his too, what more could one ask! I don't really know James Stephenson in many roles but here he makes us feel how difficult the situation was for him to deal with -- truly a razor's edge for each and every one of the characters involved. I've seen this movie many times and it just gets better at each viewing, always most intriguing.
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