After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
Cliff and Chuck leave prison together. Cliff tries the straight life but falls back into crime with Chuck and his gang. When he makes enough to enable his brother Tim to buy a garage and marry his sweetheart, Cliff quits crime again. But when he tries to help Chuck later on, he's implicated again.Written by
Ed Stephan <email@example.com>
It's a last film by "First National" productions were actually made under Warner Bros. control, even though the two companies continued to retain separate identities until the mid-1930's, pre-1960 after which time "A Warner Bros.-First National Picture". See more »
When Tim is wheeling his motorcycle into the back of the garage after taking Chuck to meet his girlfriend, shadows of the police waiting inside are visible on the garage door, ruining the surprise that they are laying in wait for him. See more »
[to the new cons]
The longer the term, the more good time they gotta give yuh.
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This film should have been more interesting with the potential of such a cast. The script tries to be important. Indeed, we again get a "Les Miserables"-themed story of a parolee trying to go straight but finding all of the rules and society's prejudice forcing him back to crime. But Lloyd Bacon's sluggish direction holds everything back and it is never interesting storytelling.
How can a film with George Raft, Humphrey Bogart and William Holden not be compelling? Thank you, Mr. Bacon, for demonstrating. Raft tries hard to be the nice guy but the script gives the character no depth. He could be any ex-con coming home after a stint in Sing Sing. He seems handcuffed throughout. He does believably make a (much) older brother for Holden - the voice, the nose - but he surely can't pass for 27. Holden is so young and enthusiastic and all his acting mechanics are hanging out there for everyone to see. As few as his scenes are, Bogart is a steady if smarmy hand to get the action started.
Flora Robson, as the mother of Raft and Holden, is the most sympathetic character. The actress had a tremendous soul to give weight to what could be a thankless part. Only through her does any real feeling come into this melodrama. And though nearly seven years younger than Raft, just a little age makeup makes her look as if she could at least be his aunt.
It is interesting that the film never shows the cons in actual prison stripes. The only two scenes of Raft and Bogart in prison are in the shower (thank you) and in the warden's office before leaving.
I do like to show this film to friends after they've seen John Ford's "Mary of Scotland" just so they can be amazed at Moroni Olsen's range.
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