Fred and Joan are a married couple working at the Benson's business. Mrs JJ Benson has a strict policy against married employees, so they keep it a secret while they save every penny as ... See full summary »
(1936, Chesterfield) Donald Cook, Ann Doran, Erin Moore, Doug Fowley. Cook is a high-flying newspaperman who falls into an engagement to a lady he does not love. Lots of poverty row ... See full summary »
After newlywed Claudia Rankin's husband is murdered, she sets out to avenge his killing by posing as a criminal and successfully infiltrating the gang of car thieves responsible for his death. However, this puts her own life in peril.
Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different ... See full summary »
Eddie sells his song to a Broadway producer and also lands a job dancing in the musical. He sends for his dance partner-fiancée Molly who brings her younger sister Pat. Upon seeing Molly ... See full summary »
Joan Blondell testifies as to Conrad Nagel's cruelty to her sister, Gloria Dickson in their divorce -- off the witness stand she agrees with him. She then goes to a diner, where she dumps coffee on Dick Powell. Soon they are married and broke. Dick is a lawyer, but the only opening he can find is with Sidney Blackmer's firm,specializing in divorces, and Joan can't stand the idea. However, Dick helps out their friend, Frank Fay, and he has a real knack for it. He goes to work for Blackmer, earning excellent money. It all reaches a breaking point...
There's lots of talent on display in this Paramount movie, including the always-delightful Harry Davenport and Jessie Ralph as Joan's grandparents. However, this movie, under the direction of Ralph Murphy, never quite works. It's supposed to start off as a comedy, but never really achieves that. Instead, it starts turning towards drama, and never really achieves that. Miss Dickon, who is supposed to serve as an object lesson in the dreariness and despair of divorce, never does anything to gain our sympathy, to make her suffering palpable to the audience. Furthermore, while Blondell and Powell were married when they made this movie, there isn't the sort of on-screen chemistry to raise this out of the ordinary. The result is good -- with a cast like that, it's hard to make a dull movie -- but never more than ordinary.
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