His Girl Friday (1940)

A newspaper editor uses every trick in the book to keep his ace reporter ex-wife from remarrying.

Director:

Howard Hawks

Writers:

Charles Lederer (screen play), Ben Hecht (from the play "The Front Page")

Stars:

Cary Grant, Rosalind Russell, Ralph Bellamy

2 wins.

Cast

Cast overview, first billed only:
Cary Grant	...	Walter Burns
Rosalind Russell	...	Hildy Johnson
Ralph Bellamy	...	Bruce Baldwin
Gene Lockhart	...	Sheriff Hartwell
Porter Hall	...	Murphy
Ernest Truex	...	Bensinger
Cliff Edwards	...	Endicott
Clarence Kolb	...	Mayor
Roscoe Karns	...	McCue
Frank Jenks	...	Wilson
Regis Toomey	...	Sanders
Abner Biberman	...	Louie
Frank Orth	...	Duffy
John Qualen	...	Earl Williams
Helen Mack	...	Mollie Malloy

Storyline

Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ...

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Plot Keywords:

reporter | newspaper editor | newspaper | mayor | journalist | 

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Taglines:

She learned about men from him!

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Genres:

Comedy | Drama | Romance

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Certificate:

Passed

Details

Country:

USA

Language:

English French

Release Date:

18 January 1940 (USA)

Also Known As:

Howard Hawks' His Girl Friday

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Box Office

Gross USA:

$296,000, 31 January 1940

Company Credits

Production Co:

Columbia Pictures

Technical Specs

Runtime:

92 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

One of the first films (preceded by "Stage Door" (1937)) to have characters talk over the lines of other characters, for a more realistic sound. Prior to this, movie characters completed their lines before the next lines were started.

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Goofs

After Walter's checkup, he puts his tie back on. At first, the skinny (back) end of the tie is longer than the wide (front) end. In the next shot, the front is properly longer than the back. When he goes to put his coat on, the back is longer than the front again.

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Quotes

Walter Burns: What's his name?
Hildy Johnson: Baldwin. Bruce Baldwin.
Walter Burns: Baldwin. Baldwin. Baldwin. Oh, I knew a Baldwin once. A horse thief in Mississippi. He couldn't be the same fellow, could he?
Hildy Johnson: You're not talking about the man I'm marrying tomorrow.

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Crazy Credits

Opening credits are shown over a newspaper background.

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Connections

References Alice in Wonderland (1933)

User Reviews

What a gem!

I just finished watching the DVD of this first-class, semi-Screwball comedy in Columbia Classics beautiful transfer, and it absolutely made my day! What a movie! What a screenplay! The dialogue is better - more modern - in fact, than a in lot of contemporary movies. It's incredibly funny, too, and my teenage sons kept laughing right along with me at the smart come-backs. Cary Grant is, of course, as good (if not better) than ever, and I've never seen Rosalind Russel in a role that suited her more perfectly. And that's just for starters: The timing of the thing is still awe- inspiring after sixty-odd years; the supporting actors, down to the bit-players, are all memorable, convincing and hilarious; the camera work (this IS the forties, though) is inventive and the editing superb. I can safely confess now that I hadn't ever seen it before, but that's no reason for you to make the same mistake: Go buy/rent it NOW! Hats off to the great Howard Hawks, his cast and crew for pulling this comedy masterpiece off. And thank you, thank you, thank you Columbia Pictures, for

making it possible for me to watch it in such pristine condition! (I've got the 2002 edition, and from what I've heard you should beware of earlier DVD issues).