8.0/10
47,077
352 user 107 critic

His Girl Friday (1940)

Trailer
2:49 | Trailer

Watch Now

With Prime Video

ON TV
ON DISC
ALL
A newspaper editor uses every trick in the book to keep his ace reporter ex-wife from remarrying.

Director:

Howard Hawks

Writers:

Charles Lederer (screen play), Ben Hecht (from the play "The Front Page") | 1 more credit »
Reviews
2 wins. See more awards »

Videos

Photos

Learn more

More Like This 

Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Director: George Cukor
Stars: Cary Grant, Katharine Hepburn, James Stewart
Comedy | Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family.

Director: Frank Capra
Stars: Cary Grant, Priscilla Lane, Raymond Massey
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Unfounded suspicions lead a married couple to begin divorce proceedings, whereupon they start undermining each other's attempts to find new romance.

Director: Leo McCarey
Stars: Irene Dunne, Cary Grant, Ralph Bellamy
Adventure | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

At a remote South American trading port, the manager of an air freight company is forced to risk his pilots' lives in order to win an important contract.

Director: Howard Hawks
Stars: Cary Grant, Jean Arthur, Rita Hayworth
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A scatterbrained socialite hires a vagrant as a family butler...but there's more to Godfrey than meets the eye.

Director: Gregory La Cava
Stars: William Powell, Carole Lombard, Alice Brady
Holiday (1938)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.

Director: George Cukor
Stars: Katharine Hepburn, Cary Grant, Doris Nolan
Adventure | Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

During World War II, American expatriate Harry Morgan helps transport a French Resistance leader and his beautiful wife to Martinique while romancing a sensuous lounge singer.

Director: Howard Hawks
Stars: Humphrey Bogart, Lauren Bacall, Walter Brennan
Charade (1963)
Comedy | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Romance and suspense ensue in Paris as a woman is pursued by several men who want a fortune her murdered husband had stolen. Whom can she trust?

Director: Stanley Donen
Stars: Cary Grant, Audrey Hepburn, Walter Matthau
The Lady Eve (1941)
Certificate: Passed Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A trio of classy card sharks targets the socially awkward heir to brewery millions for his money, until one of them falls in love with him.

Director: Preston Sturges
Stars: Barbara Stanwyck, Henry Fonda, Charles Coburn
The Big Sleep (1946)
Crime | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

Director: Howard Hawks
Stars: Humphrey Bogart, Lauren Bacall, John Ridgely
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A spoiled heiress running away from her family is helped by a man who is actually a reporter in need of a story.

Director: Frank Capra
Stars: Clark Gable, Claudette Colbert, Walter Connolly
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Two employees at a gift shop can barely stand each other, without realizing that they are falling in love through the post as each other's anonymous pen pal.

Director: Ernst Lubitsch
Stars: Margaret Sullavan, James Stewart, Frank Morgan
Edit

Cast

Cast overview, first billed only:
Cary Grant ... Walter Burns
Rosalind Russell ... Hildy Johnson
Ralph Bellamy ... Bruce Baldwin
Gene Lockhart ... Sheriff Hartwell
Porter Hall ... Murphy
Ernest Truex ... Bensinger
Cliff Edwards ... Endicott
Clarence Kolb ... Mayor
Roscoe Karns ... McCue
Frank Jenks ... Wilson
Regis Toomey ... Sanders
Abner Biberman ... Louie
Frank Orth ... Duffy
John Qualen ... Earl Williams
Helen Mack ... Mollie Malloy
Edit

Storyline

Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

USA

Language:

English | French

Release Date:

18 January 1940 (USA) See more »

Also Known As:

Howard Hawks' His Girl Friday See more »

Edit

Box Office

Gross USA:

$296,000, 31 January 1940
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Concerned that the final draft still wasn't funny enough, Howard Hawks called in Morrie Ryskind to polish the dialogue, as he had for the director's Ceiling Zero (1936). Ryskind would not receive a credit on the finished film. Ryskind gave the film another ending, in which Burns and Hildy are married in the newsroom then immediately start fighting, leading one of the guests to comment "I think it's going to turn out all right this time." Unfortunately, Ryskind revealed this ending to other writers at the studio, and before the film could go into production another picture was shot with the same ending. See more »

Goofs

When Walter & Hildy are handcuffed together & the Mayor walks in, Hildy's right arm is by her side in the long shot but in the closeup her hands are together. See more »

Quotes

Walter Burns: Take Hitler and stick him on the funny page.
See more »

Crazy Credits

Opening credits are shown over a newspaper background. See more »

Connections

Referenced in The Carrie Diaries: The Second Time Around (2013) See more »

Frequently Asked Questions

See more »

User Reviews

 
Fast Dialogue only savior for unsympathetic characters
7 September 2008 | by flipboy923See all my reviews

When I learned about Howard Hawkes screwball comedy "His Girl Friday," one of the biggest attractions, I was told, was the fast-paced/overlapping dialogue. During this time in Hollywood, dialogue would only be spoken by one person at a time. "His Girl Friday" was one of the first films to have characters speaking at the same time, often over one another; this would create an environment that was more realistic, especially in a place such as a newspaper room. Well, if that's what Hawkes was going for, he certainly achieved it.

The best thing about the film IS the dialogue. Characters speak at a break-neck speed, throwing witticisms left and right as if they were candy. Many times, while one is laughing at one joke, they would miss another right after it. That is how quickly the jokes are thrown out in the film. Cary Grant and Rosalind Russell are great at spilling lines out seemingly without any problem. It's a real testament to how professional these two were (along with the rest of the cast) with the amount of verbal meat they had to chew; I can't think of an actor today that could possibly pull of the kind of dialogue that was given in this film.

The problem that I had with the film was that the dialogue was the ONLY great thing about it. Unfortunately, the characters and situations presented in the film had little sympathy and lack of any kind of real depth. The situation with the falsely accused murderer was handled poorly given the context of his predicament; instead of really caring about this person and really trying to help him become cleared of charges, the Grant and Rosalind characters instead used him for their own purposes in getting "the big scoop." Now, of course one can argue that that WAS the reason they treated him the way they did, my issue is that such a serious subject was handled in a supposed "comedic" fashion; as if it was OK that this falsely accused person can be treated in such a horrible way, simply because it handled comedically. The last-second deus ex machina that sealed this person's fate supports the idea that his story wasn't really handled with any kind of importance.

The thing the really hurt the film was the love triangle between the Grant and Rosalind characters, and the Rosalind's character's fiancé. We are told in the beginning of the film that Grant and Rosalind are divorcees, and Rosalind is set to marry her fiancé the very next day in Albany. Of course, in a film like this, we are supposed to root for the Grant and Rosalind characters to get together at the end. the problem is, the Grant character is such a manipulative creep that at the end of the film I found myself actually rooting for the fiancé to the win the girl. Three times in the movie, the Grant character manipulates the situation, causing the fiancé to be thrown in jail, and preventing the would-be married couple from leaving the city. This in turn gives the Grant character enough time to convince Rosalind that she will always be "a newspaperman." The Rosalind character isn't much better either. Throughout the beginning of the film, she keeps explaining to others that she is through with the newspaper business, that she wants to settle down, raise a family, and not have to deal with the daily grind of hunting down a story. Well, does settling down and having a family sound like a bad thing to you? I didn't think so. Every time she tries to leave, she gets bogged down and distracted by the story (many times through the very fault of the Grant character). It gets so bad, that when the fiancé comes to her, begging her to leave with him, she brushes him off like a fly, barely acknowledging him. Even worse, when the fiancé's mother comes into play, the Rosalind character actually ALLOWS Grant to have her kidnapped and taken away! "His Girl Friday" would've worked if the filmmakers had cared enough about the characters than they did about the dialogue. The actor playing the fiancé did a thankless job; without much to work with, he actually created a character we cared about more so than the two leads. Sure he was a little simple, but that's a lot more than can be said about the other two. At the end of the film, I thought to myself "these two characters were divorced before the film started. Based on all the manipulative actions these two had throughout the story, is there any evidence that they'll stay together once the movie is over?" Maybe they deserve each other, because they certainly don't deserve anyone else.


20 of 29 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 352 user reviews »

Contribute to This Page

Stream Comedy Titles With Prime Video

Explore popular comedy titles available to stream with Prime Video.

Start your free trial



Recently Viewed