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His Girl Friday (1940)

Passed | | Comedy, Drama, Romance | 18 January 1940 (USA)
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A newspaper editor uses every trick in the book to keep his ace reporter ex-wife from remarrying.

Director:

Howard Hawks

Writers:

Charles Lederer (screen play), Ben Hecht (from the play "The Front Page") | 1 more credit »
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2 wins. See more awards »

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Cast

Cast overview, first billed only:
Cary Grant ... Walter Burns
Rosalind Russell ... Hildy Johnson
Ralph Bellamy ... Bruce Baldwin
Gene Lockhart ... Sheriff Hartwell
Porter Hall ... Murphy
Ernest Truex ... Bensinger
Cliff Edwards ... Endicott
Clarence Kolb ... Mayor
Roscoe Karns ... McCue
Frank Jenks ... Wilson
Regis Toomey ... Sanders
Abner Biberman ... Louie
Frank Orth ... Duffy
John Qualen ... Earl Williams
Helen Mack ... Mollie Malloy
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Storyline

Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

18 January 1940 (USA) See more »

Also Known As:

Howard Hawks' His Girl Friday See more »

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Box Office

Gross USA:

$296,000
See more on IMDbPro »

Company Credits

Production Co:

Columbia Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The famous in-joke about Ralph Bellamy's character ("He looks like that fellow in the movies.. you know, Ralph Bellamy!") was almost left on the cutting room floor: Harry Cohn, the studio head, saw the dailies and responded in fury at the impertinence, but he let Howard Hawks leave it in, and it has always been one of the biggest laughs in the film. See more »

Goofs

During the lunch scene, at one point there is a fly very clearly walking all over the front of Cary Grant's suit. See more »

Quotes

Walter Burns: What's his name?
Hildy Johnson: Baldwin. Bruce Baldwin.
Walter Burns: Baldwin. Baldwin. Baldwin. Oh, I knew a Baldwin once. A horse thief in Mississippi. He couldn't be the same fellow, could he?
Hildy Johnson: You're not talking about the man I'm marrying tomorrow.
See more »

Crazy Credits

Opening credits prologue: It all happened in the "Dark Ages" of the newspaper game--when to a reporter "Getting that story" justified anything short of murder.

Incidentally you will see in this picture no resemblance to the man and woman of the press today.

Ready?

Well, once upon a time - - See more »

Connections

Version of The Front Page (1931) See more »

Frequently Asked Questions

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User Reviews

 
Her Guy Walter
8 March 2006 | by theowinthropSee all my reviews

Charles McArthur and Ben Hecht met when both were reporters in Chicago during the 1920s. They created two of the funniest farces in American drama, TWENTIETH CENTURY (about theater people) and THE FRONT PAGE. The latter was based on their experiences as news reporters in those crazy days in Chicago, where the newspapers concentrated on sensationalism and the politics was thoroughly corrupt. The resulting play is hysterically funny and yet remains timely. For all the exaggeration of how Walter Burns and Hildy Johnson manipulate police, politicians, reporters, and civilians to get their scoop, the story remains relevant for several reasons. The political balance in a big Mayoralty election is precarious due to the Earl Williams case. Williams has shot a policeman who is African-American, a big local voting block, and they want him punished. The corrupt Mayor and his idiot jail warden are willing to execute him for the votes needed to stay in office, but the Governor (who is from the rival party) believes the killer is insane (or at least mentally deficient). So already (as you see) race, politics, and the validity of the death penalty get pulled in. Soon we also see examples of nepotism and corruption in the police, and City Hall, cynical politics based on a man's life, and questions about privacy and a free press. For a play from 1931 this one still has relevance.

There had been an earlier version of the play in the 1930s called THE FRONT PAGE, starring Adolphe Menjou as the conniving and devious Walter Burns, and Pat O'Brien as ace reporter Hildy Johnson. It is a good version, and both stars do well with their parts (and both have the verbal speed necessary for the dialog to flow over the ears of the audience). But when the film was remade in 1940, Howard Hawks decided to redraw Hildy Johnson into a female reporter (and previous wife) of Burns. His casting of Cary Grant was radically different too. Burns is a nasty, conniving s.o.b. who would kill for a good story. Menjou was somewhat dapper (he was usually dapper) in the role, but the hardness under the presentable shell was there. And by changing Hildy from a guy to a gal, and Walter's former wife, you had to make Walter look more interesting. So Walter is turned into Cary Grant. There was a search for Hildy, involving Jean Arthur and Irene Dunne as possibilities. Neither ended up playing him. Instead it went to Rosalind Russell.

It has to be admitted Russell had the vocal abilities to push the dialog at the proper clip. Possibly Jean Arthur could have done that just as well, but Arthur did not have the apparent physical strength behind the stylishness that Russell showed. She really does balance well (in this film) with Grant, given their characters.

Motivation changes a little. This Walter Burns still wants to get his scoops, but there are moments of fragility when he realizes he may forever lose Hildy to her fiancé Bruce (the ever helpless Ralph Bellamy). And they oddly work (Hawks manages to keep them under control). Also, as the story is now twelve years older than the original play, certain changes occur in Walter's political views. He does dislike the gang (led by Clarence Kolb and Gene Lockhart) running the city, and points out to Hildy that they have a chance to help give the city the sort of government New York City has under La Guardia. This does not end his joy at scooping the opposition, but it does suggest that Burns has more depth.

It is now generally believed that this is the best of the film versions of THE FRONT PAGE, and one of the funniest films ever made. The entire cast shines (look at the scene where Helen Mack confronts the reporters who have made her look like a tramp, and have told lies about John Qualen (Williams) - she is in a state when Russell takes her out of the press room, and the reporters are thoroughly ashamed of herself - and Russell comes back looking at Regis Toomey, Porter Hall, and the others, and says "Gentlemen of the Press!" with heavy cynical irony). And also note Billy Gilbert's immortal Joe Pettibone, the most hopeless monument of total befuddlement in movies. It is one of the few film comedies of that period that retains it's laughs one viewing following another.


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