In the 1870s, Captain Nathan Algren (Tom Cruise), a cynical veteran of the American Civil War, who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant conscripts for the first standing Imperial Army in modern warfare using firearms. The Imperial Omura (Masato Harada) cabinet's first priority is to repress a rebellion of traditionalist Samurai, hereditary warriors, who remain devoted to the sacred dynasty, but reject the Westernizing policy, and even refuse firearms. Yet, when his ill-prepared superior force sets out too soon, their panic allows the sword-wielding samurai to crush them. Badly wounded, Algren's courageous stand makes the samurai leader Katsumoto (Ken Watanabe) spare his life. Once nursed to health, he learns to know and respect the old Japanese way, and participates as advisor in Katsumoto's failed attempt to save the Bushido tradition, but Omura gets repressive laws enacted. He must now choose to honor...Written by
First movie to use the new Kodak Vision2 500T 5218 film stock - the successor of the previous Vision 500T 5279. However, it was released later than Seabiscuit (2003), which used the same film stock, but at a later date. See more »
When Katsumoto and Algren are riding to Tokyo, Algren is seen turning around his horse and starting to ride off. In the next shot, he is not moving and begins to ride off again. See more »
They say Japan was made by a sword. They say the old gods dipped a coral blade into the ocean, and when they pulled it out four perfect drops fell back into the sea, and those drops became the islands of Japan. I say, Japan was made by a handful of brave men. Warriors, willing to give their lives for what seems to have become a forgotten word: honor.
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The opening Warner Bros. logo is light blue on a solid black background. See more »
Performed by Tokyo Gakuso
Courtesy of Columbia Music Entertainment, Inc. See more »
A Potpourri of Vestiges Review: Pride and Honour
The Last Samurai is a brilliantly crafted aesthetic pleasure, studded with supernal performances from Ken Watanabe and Tom Cruise. In fact, Tom Cruise unarguably gives his best ever performance, surpassing his portrayal of Jerry Maguire in the eponymous flick. His plaintive portrayal of Nathan Algren, not only evokes pathos but also seeks sympathy of the contemporary viewer, who can vicariously relate to Algren's disconcertion, owing to his inner conflicts of patriotism vis-à-vis humanity.
However, it is Ken Watanabe, who steals the show with his mesmerizing and poignant portrayal of Katsumoto, the leader of the last clan of Samurai. His screen presence and delivery is truly amazing and even outshines that of Tom Cruise, which is a compliment in itself. The scenes between Watanabe and Cruise are pure gold, depicting fluctuating feelings of hostility, compassion and camaraderie.
Watanabe's intense and powerful performance in which he displays a wide range of emotions, is definitely worthy of the coveted statuette, but the academy never fails to disappoint. Watanabe's brilliant portrayal, not only mesmerizes the viewers, but also convinces the critics of his acting abilities. The tacit adoration between Algren and Taka (subtly played by Koyuki), enormously adds to the beauty of the movie. All this coupled with some brilliant cinematography and a mesmerizing score, makes it a treat to watch and a truly surreal experience.
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