The Viking children Røskva and Tjalfe embark on an adventurous journey from Midgard to Valhalla with the gods Thor and Loki. Life in Valhalla, however, turns out to be threatened by the ... See full summary »
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ...Written by
For the first time in years, Charles Chaplin brought in a new director of photography, Karl Struss, to work with his usual cameraman, Roland Totheroh. He did so at the urging of his brother, Syd, who felt that Totheroh's techniques were behind the times. Struss quickly learned that the director preferred to shoot scenes as though they were being performed on stage. He finally convinced Chaplin to let him shoot the scenes from two cameras at once, placed at different angles, to make it easier to edit the film. See more »
(at around 42 mins) When Hynkel opens the filing cabinet behind his desk to reveal and look into the full length mirrors inside of it, the studio lights can briefly be seen reflected in them. See more »
Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
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[Prologue] This is a story of a period between two World Wars -- an interim in which Insanity cut loose. Liberty took a nose dive and Humanity was kicked around somewhat
Chaplin altered the credits of this film in order to remove all references to United Artists. The alteration features a new copyright notice that does not match the aspect of the original titles. See more »
I agree that the final speech is powerful, and stirring. It made my heart hurt (in a good way ;-) But I also have to say that the comedy is first-rate. When the Charlie and the pilot are unknowingly upside down and chatting away...when the pilot is serenely reminiscing about his girlfriend back home even as the downed plane plows right into the ground...when Hynkel delivers this vitriolic diatribe about 'the Juden' and the blandly impassive translator says, 'the Phooey has just made reference to the Jewish people' and 'the Phooey's heart is full of love to all mankind,' ...when Hynkel strips his hapless henchman of all his beautiful medals, spitting and fussing a mile a minute...I could go on and on! I think no one else on earth could play Hynkel as hilariously as Chaplin, but it might be fun to imagine modern comedians trying. ;-)
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