20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ...Written by
For the first time in years, Charles Chaplin brought in a new director of photography, Karl Struss, to work with his usual cameraman, Roland Totheroh. He did so at the urging of his brother, Syd, who felt that Totheroh's techniques were behind the times. Struss quickly learned that the director preferred to shoot scenes as though they were being performed on stage. He finally convinced Chaplin to let him shoot the scenes from two cameras at once, placed at different angles, to make it easier to edit the film. See more »
(at around 30 mins) When the Jewish Barber cleans the word "Jew" off his shop window, a dotted line can be seen to mark where the W would be painted again for the next take. See more »
Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
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The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »
In Italy, all the scenes that involved Napaloni's wife were cut from the movie to respect Benito Mussolini's widow, Rachele. The complete version wasn't seen until 2002. See more »
Hungarian Dance No. 5
Written by Johannes Brahms
Played on the radio during the shaving scene See more »
A film of its time, without a modern equal
This film entered production before WW2 began, but was not released until it was well under way. With significant fascist-sympathy in the US, and Chaplin himself being suspected as a communist sympathiser, The Great Dictator was a very courageous endeavour. Such risks in film-making - thinly veiled political statements - would be almost inconceivable today. Imagine the fallout if someone were to make an equally satirical film today which criticised the USA's foreign policy?
This film is hilarious, poignant and tragic. The tragedy is that Chaplin makes a plea for the madness to end, but it is already to late - for him and for us. A must see if you have any interest whatsoever in history, film-making, politics or sattire as an art-form.
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