In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ...Written by
The scene where Charles Chaplin dances with a globe had its origins in a 1928 home movie in which Chaplin also toyed with a globe in similar fashion. See more »
(at around 12 mins) Some of the time that the Barber and Schultz are upside down, they are backwards. They actually switched seats and the Barber is now on the right, instead of the left where he properly belongs. See more »
Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
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The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »
In Italy, all the scenes that involved Napaloni's wife were cut from the movie to respect Mussolini's widow, Rachele. The complete version wasn't seen until 2002. See more »
Before I saw this film I didn't really expect to much from it, although my friend advised otherwise. Due to this request from my friend I decided I was really going to watch this film. The minute I sat down to view the film I was absolutely blown away. From the credits I was falling of my seat; I just couldn't contain myself. The film is about Hitler in all the glory of comedy. Hynkel is the absolute double for the Jewish Barber, who comes back from fighting in the war. Due to the heroics of the barber, he manages to save one of the germans and by doing that gets a member of the enemy on board, which helps in the struggle which the jews had. But things went wrong and Stolz was arrested, but only then to escape to the confines of the Jewish surburb, 'The Ghetto'. Due to this escape, the german army began searching which meant that the Barber and Stolz got arrested but again they escaped, only to be mistaken for hynkel and consequently takes his poistion. *****THE SPEECH THAT CHAPLIN MAKES AT THE END IS FANTASTIC, IT COMPLIES THE MORALS WHICH SOCIETY COULD ONLY DREAM ABOUT. IN THE SPEECH IT CONTRADICTS THE WHOLE MEANING OF THE FILM BECAUSE OF THE SERIOUNESS AND SINCERENITY WHICH IT ENTAILED, AND IT DEFINATELY WORKS, BECAUSE I DID WALK OUT FEELING GUILTY ABOUT HOW WE LIVE OUR LIVES, LOOKING AT THE SMALLEST THING SUCH AS BEING IGNORANT TO SOMEONE TO THE BIGGEST, MOST PROMINENT THINGS SUCH AS WAR.
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