The Great Dictator (1940)

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

Director:

Charles Chaplin

Writer:

Charles Chaplin

Stars:

Charles Chaplin, Paulette Goddard, Jack Oakie

Top Rated Movies #53 | Nominated for 5 Oscars. Another 6 wins & 1 nomination.

Cast

Cast overview, first billed only:
Charles Chaplin	...	Hynkel - Dictator of Tomania / A Jewish Barber
Jack Oakie	...	Napaloni - Dictator of Bacteria
Reginald Gardiner	...	Schultz
Henry Daniell	...	Garbitsch
Billy Gilbert	...	Herring
Grace Hayle	...	Madame Napaloni
Carter DeHaven	...	Bacterian Ambassador (as Carter De Haven)
Paulette Goddard	...	Hannah
Maurice Moscovitch	...	Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn	...	Mrs. Jaeckel
Bernard Gorcey	...	Mr. Mann
Paul Weigel	...	Mr. Agar
Chester Conklin	...	Barber's Customer
Esther Michelson	...	Jewish Woman
Hank Mann	...	Storm Trooper Stealing Fruit

Storyline

20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ...

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Plot Keywords:

invented language | dual role | fictitious country | national film registry | barber | 

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Taglines:

Once again - the whole world laughs!

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Genres:

Comedy | Drama | War

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Certificate:

G

Details

Country:

USA

Language:

English Esperanto

Release Date:

7 March 1941 (USA)

Also Known As:

The Dictator

Filming Locations:

Agoura Hills, California, USA

Box Office

Budget:

$2,000,000 (estimated)

Gross USA:

$5,000,000, 31 December 1940

Cumulative Worldwide Gross:

$11,000,000, 31 December 1940

Company Credits

Production Co:

Charles Chaplin Productions, One Production Company

Technical Specs

Runtime:

125 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Jack Oakie once said that he "had made hundreds of pictures, but they only remember me as Napaloni in The Great Dictator (1940)."

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Goofs

(at around 30 mins) When the Jewish Barber has just returned to the Ghetto and is cleaning his windows, his white overcoat changes from buttoned to unbuttoned throughout the fight scene.

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Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.

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Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental".

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Connections

Referenced in G.I. Joe: The Wrong Stuff (1985)

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Soundtracks

Prelude to 'Lohengrin' , Act I
(1850) (uncredited)
Music by Richard Wagner

User Reviews

Credit where it's due

Aside from giving this film its proper socio-historical credit as one of only 2 U.S films which condemned Hitler, Naziism and the Holocaust prior to U.S. involvement in WWII, it's a great time as well. Much of the humor remains visual, and some of the funniest (and most famous) scenes are done in the silent mode (e.g. the globe). Although a bit more lacking in continuity and editing than many of Chaplin's earlier films, to do it credit simply as a passable first effort at a new medium is to damn it with faint praise. It's unique. No serious student of film can neglect to see and appreciate The Great Dictator as a classic amalgam of film talents.