Both added a much-needed boost to the anemic specialty market. Only three holdovers after their third week grossed over $50,000, including the final dates for Oscar-winner “The Shape of Water.” This marks the lowest numbers in years, and exposes the feast-or-famine nature of the current specialized box office.
The widest new opener, Roadside Attraction’s British senior romance “Finding Your Feet,” drew a mixed response in multiple initial cities.
Of the three new U.S. indies arriving with past festival branding, only Gemini (Neon) has a chance at real theatrical legs; “Love After Love” (IFC) is already streaming, and “Outside In” (The Orchard) hits Svod on April 3 before Netflix availability on June 1. The theatrical business is shifting: only