The Grapes of Wrath (1940)

A poor Midwest family is forced off their land. They travel to California, suffering the misfortunes of the homeless in the Great Depression.

Director:

John Ford

Writers:

Nunnally Johnson (screen play), John Steinbeck (based on the novel by)

Stars:

Henry Fonda, Jane Darwell, John Carradine

Won 2 Oscars. Another 8 wins & 5 nominations.

Cast

Cast overview, first billed only:
Henry Fonda	...	Tom Joad
Jane Darwell	...	Ma Joad
John Carradine	...	Jim Casy
Charley Grapewin	...	Grandpa Joad
Dorris Bowdon	...	Rosasharn Rivers
Russell Simpson	...	Pa Joad
O.Z. Whitehead	...	Al Joad
John Qualen	...	Muley Bates
Eddie Quillan	...	Connie Rivers
Zeffie Tilbury	...	Grandma Joad
Frank Sully	...	Noah Joad
Frank Darien	...	Uncle John Joad
Darryl Hickman	...	Winfield Joad
Shirley Mills	...	Ruthie Joad
Roger Imhof	...	Thomas

Storyline

The Joad clan, introduced to the world in John Steinbeck's iconic novel, is looking for a better life in California. After their drought-ridden farm is seized by the bank, the family -- led by just-paroled son Tom -- loads up a truck and heads West. On the road, beset by hardships, the Joads meet dozens of other families making the same trek and holding onto the same dream. Once in California, however, the Joads soon realize that the promised land isn't quite what they hoped.

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Plot Keywords:

great depression | bakersfield california | penny candy | colorado river bridge | softhearted truck drivers | 

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Taglines:

The Joads step right out of the pages of the novel that has shocked millions !

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Genres:

Drama | History

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

15 March 1940 (USA)

Also Known As:

Highway 66

Filming Locations:

Los Angeles, California, USA

Box Office

Budget:

$800,000 (estimated)

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

129 min 108 min (cut)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film has a 100% rating on Rotten Tomatoes based on 44 critic reviews.

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Goofs

As Tom walks across the dance floor after saying goodbye to his mother his shadow goes to his left. When the point of view changes, the shadows are perpendicular to this, coming from behind his mother.

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Quotes

Tom Joad: That Casy. He might have been a preacher but he seen things clear. He was like a lantern. He helped me to see things clear.

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Alternate Versions

International distributions (e.g. UK) have a short ~30 second prologue at the beginning to explain the historical context to the story to touch on the socio-economic problems in the US which arose during the Great Depression and the concurrent Dust Bowl.

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Connections

Referenced in The Tonight Show Starring Johnny Carson: Suzanne Pleshette/Dick Cavett (1981)

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Soundtracks

Red River Valley
(uncredited)
Traditional
Played during the opening credits and often in the score
Sung by Henry Fonda at the dance

User Reviews

Not the Book, But Beautiful in Its Own Right

It's difficult on a first viewing of "The Grapes of Wrath" not to be somewhat disappointed with it. So much of Steinbeck's beautiful novel is left out of the film, and it's hard to see his story and characters wedged into the "gee whizz" style of film-making so prevalent at the time. But once you get beyond a comparison of the movie to the book, you begin to realize that John Ford created a beautiful piece of work of his own, and the film inspires a great deal of admiration, and deserves credit for its gutsiness at tackling a story that wouldn't have gone down smoothly with film executives at the time.

Of course the most controversial parts of the book are left out (like its final image, for example), but Ford still managed to work around the constraints forced upon him to fashion a hard-biting film. Henry Fonda is perfect casting for Tom Joad--never have his otherworldly eyes been used to greater effect. And Jane Darwell is pitch-perfect as Ma Joad--she captures the tough-as-nails dignity that the character has in the novel. The whole movie is lit by expert cinematographer Gregg Toland, who uses shadow and reflection to cast a ghostly pall over everything. Indeed, much of what Ford wasn't able to include in the film as words he communicates instead through images, and isn't that what a good book-to-film adaptation should do? One of those films that feels ahead of its time.

Grade: A