The Grapes of Wrath (1940)

A poor Midwest family is forced off their land. They travel to California, suffering the misfortunes of the homeless in the Great Depression.

Director:

John Ford

Writers:

Nunnally Johnson (screen play), John Steinbeck (based on the novel by)

Stars:

Henry Fonda, Jane Darwell, John Carradine

Top Rated Movies #223 | Won 2 Oscars. Another 8 wins & 5 nominations.

Cast

Cast overview, first billed only:
Henry Fonda	...	Tom Joad
Jane Darwell	...	Ma Joad
John Carradine	...	Jim Casy
Charley Grapewin	...	Grandpa
Dorris Bowdon	...	Rosasharn
Russell Simpson	...	Pa Joad
O.Z. Whitehead	...	Al
John Qualen	...	Muley Bates
Eddie Quillan	...	Connie
Zeffie Tilbury	...	Grandma
Frank Sully	...	Noah
Frank Darien	...	Uncle John
Darryl Hickman	...	Winfield
Shirley Mills	...	Ruthie
Roger Imhof	...	Thomas

Storyline

The Joad clan, introduced to the world in John Steinbeck's iconic novel, is looking for a better life in California. After their drought-ridden farm is seized by the bank, the family -- led by just-paroled son Tom -- loads up a truck and heads West. On the road, beset by hardships, the Joads meet dozens of other families making the same trek and holding onto the same dream. Once in California, however, the Joads soon realize that the promised land isn't quite what they hoped.

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Plot Keywords:

great depression | bakersfield california | penny candy | colorado river bridge | softhearted truck drivers | 

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Taglines:

The thousands who have read the book will know why WE WILL NOT SELL ANY CHILDREN TICKETS to see this picture!

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Genres:

Drama | History

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

15 March 1940 (USA)

Also Known As:

Highway 66

Filming Locations:

Los Angeles, California, USA

Box Office

Budget:

$800,000 (estimated)

Gross USA:

$55,000, 31 January 1940

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

129 min 108 min (cut)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Reportedly, Darryl F. Zanuck was the one who had cricket chirps added to the soundtrack during the scene in which Casy and his "radical" associates are camped near the river, and he also is said to have insisted on the inclusion of a prominent accordion part in the spare musical score because he considered it the most American instrument. Although officially uncredited, sources list the accordion player as Danny Borzage, brother of director Frank Borzage and a regular bit player in Ford's stock company in a number of films between 1924 and 1964.

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Goofs

The Joad's truck was actually a converted Hudson touring car. In many scenes, the Hudson Motor Car Company white triangle logo is seen at the top of the radiator. In other scenes, it is missing. The Hudson logo magically vanishes, then reappears during the entire movie.

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Quotes

Tom Joad: Sure don't look none too prosperous.

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Alternate Versions

International distributions (e.g. UK) have a short ~30 second prologue at the beginning to explain the historical context to the story to touch on the socio-economic problems in the US which arose during the Great Depression and the concurrent Dust Bowl.

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Connections

Referenced in Jack of All Trades: The Morning After (2000)

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Soundtracks

Red River Valley
(uncredited)
Traditional
Played during the opening credits and often in the score
Sung by Henry Fonda at the dance

User Reviews

A marvellous production of Steinbeck's epic.

Henry Fonda's portrayal of Tom Joad captures perfectly the humanity and compassion of the Steinbeck character, an ex-con who breaks his parole conditions by joining his family in their epic journey across the southern US to a "better life" in California.

This is not the usual Hollywood fare. Tragedy and betrayal beset the Joad family from the outset. But it is nonetheless an uplifting movie. Spirit, compassion and tenderness mark them out. Fonda's role is particularly understated, and we see, as in Steinbeck's masterly epic, the maternally robust figure of Ma holding the family together.

The performances all round are wonderful, and Ford's direction and sense of space under the big sky of the Midwest is breathtaking.

This film is now largely a testament to the time in which it was set, but like the war movies that were soon to follow, a story that needed telling lest we forget.