7.6/10
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135 user 81 critic

Foreign Correspondent (1940)

On the eve of World War II, a young American reporter tries to expose enemy agents in London.

Director:

Alfred Hitchcock

Writers:

Charles Bennett (screenplay), Joan Harrison (screenplay) | 2 more credits »
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Nominated for 6 Oscars. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
Joel McCrea ... John Jones
Laraine Day ... Carol Fisher
Herbert Marshall ... Stephen Fisher
George Sanders ... Scott ffolliott
Albert Bassermann ... Van Meer (as Albert Basserman)
Robert Benchley ... Stebbins
Edmund Gwenn ... Rowley
Eduardo Ciannelli ... Mr. Krug (as Eduardo Cianelli)
Harry Davenport ... Mr. Powers
Martin Kosleck ... Tramp
Frances Carson Frances Carson ... Mrs. Sprague
Ian Wolfe ... Stiles
Charles Wagenheim Charles Wagenheim ... Assassin
Eddie Conrad ... Latvian (as Edward Conrad)
Charles Halton ... Bradley
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Storyline

Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

The thrill spectacle of the year! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Dutch | Latvian

Release Date:

16 August 1940 (USA) See more »

Also Known As:

Personal History See more »

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Box Office

Gross USA:

$3,484,588
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Unlike the original ending of this movie, Sir Alfred Hitchcock wasn't involved in the scripting of the released ending. In the book "Encountering Directors" (1972) by Charles T. Samuels, Hitchcock revealed that the released ending was written by Producer Walter Wanger and Ben Hecht. See more »

Goofs

When Jones tells Stephen Fisher that Krug is the man he saw at the assassination, Carol gets the man's name wrong, saying "We've known Mr. Kruger forever." See more »

Quotes

Stebbins: They love to cable from New York. It makes them think that you're working for them.
See more »

Crazy Credits

Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »

Alternate Versions

Due to its political theme, no German distributor was willing to show the film until 1960. Then, after the huge success of Psycho, Constantin Film released the film with a running time of ca. 98 Minutes; approximately 22 minutes were cut, mainly Nazi-sequences. ZDF (Zweites Deutsches Fernsehen) showed the film in 1995 for the first time ever in Germany in a newly-dubbed uncut version. See more »

Connections

Featured in Personal History: Foreign Hitchcock (2004) See more »

Soundtracks

Rule Britannia
(1740) (uncredited)
Music by Thomas Augustine Arne
Background music played as a ship pulls out of the harbor
See more »

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User Reviews

 
In many ways, the master's most accessible film
24 May 2001 | by sultana-1See all my reviews

Hitchcock may not have wanted him, but Joel Mac Crea's "everyman" performance as "Huntley Haverstock" is the most purely likeable and accessible protagonist Hitchcock has ever had. And, that works perfectly for the movies which gets plenty of the dark and mysterious and perverted from the magnificent supporting cast (including Marshall, Gwenn, Sanders, and many others...). But McCrea's feckless honesty and stubborn determination (rather than the more usual-for-Hitchcock obsession) work refreshingly in contrast with the others.

All the other typical master touches, impeccable camera work, a great score, intricate interwoven plotlines, and many dualities are all on hand for a truly great and unforgettable cinematic experience.

Watch this film!


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