A man in London tries to help a counter-espionage Agent. But when the Agent is killed, and the man stands accused, he must go on the run to save himself and stop a spy ring which is trying to steal top secret information.
Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies.Written by
Col Needham <email@example.com>
Unlike the original ending of this movie, Sir Alfred Hitchcock wasn't involved in the scripting of the released ending. In the book "Encountering Directors" (1972) by Charles T. Samuels, Hitchcock revealed that the released ending was written by Producer Walter Wanger and Ben Hecht. See more »
When Jones tells Stephen Fisher that Krug is the man he saw at the assassination, Carol gets the man's name wrong, saying "We've known Mr. Kruger forever." See more »
They love to cable from New York. It makes them think that you're working for them.
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Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »
Due to its political theme, no German distributor was willing to show the film until 1960. Then, after the huge success of Psycho, Constantin Film released the film with a running time of ca. 98 Minutes; approximately 22 minutes were cut, mainly Nazi-sequences. ZDF (Zweites Deutsches Fernsehen) showed the film in 1995 for the first time ever in Germany in a newly-dubbed uncut version. See more »
Hitchcock may not have wanted him, but Joel Mac Crea's "everyman" performance as "Huntley Haverstock" is the most purely likeable and accessible protagonist Hitchcock has ever had. And, that works perfectly for the movies which gets plenty of the dark and mysterious and perverted from the magnificent supporting cast (including Marshall, Gwenn, Sanders, and many others...). But McCrea's feckless honesty and stubborn determination (rather than the more usual-for-Hitchcock obsession) work refreshingly in contrast with the others.
All the other typical master touches, impeccable camera work, a great score, intricate interwoven plotlines, and many dualities are all on hand for a truly great and unforgettable cinematic experience.
Watch this film!
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