Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies.Written by
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The establishing shot of the Hotel Europe is actually an outtake from the later rooftop escape sequence. Haverstock can be seen on the far left edge of the frame, next to the neon letter "H", crawling across the roof, although he is still in his hotel room at this point in the story. See more »
One cabin isn't going to do us much good, is it? We just can't...
Oh, well, I fully intended to sleep in the lounge. I hope you didn't think I...
No, of course not. It's very kind of you.
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Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »
Due to its political theme, no German distributor was willing to show the film until 1960. Then, after the huge success of Psycho, Constantin Film released the film with a running time of ca. 98 Minutes; approximately 22 minutes were cut, mainly Nazi-sequences. ZDF (Zweites Deutsches Fernsehen) showed the film in 1995 for the first time ever in Germany in a newly-dubbed uncut version. See more »
Hitchcock may not have wanted him, but Joel Mac Crea's "everyman" performance as "Huntley Haverstock" is the most purely likeable and accessible protagonist Hitchcock has ever had. And, that works perfectly for the movies which gets plenty of the dark and mysterious and perverted from the magnificent supporting cast (including Marshall, Gwenn, Sanders, and many others...). But McCrea's feckless honesty and stubborn determination (rather than the more usual-for-Hitchcock obsession) work refreshingly in contrast with the others.
All the other typical master touches, impeccable camera work, a great score, intricate interwoven plotlines, and many dualities are all on hand for a truly great and unforgettable cinematic experience.
Watch this film!
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