A man in London tries to help a counter-espionage Agent. But when the Agent is killed, and the man stands accused, he must go on the run to save himself and stop a spy ring which is trying to steal top secret information.
Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies.Written by
Col Needham <firstname.lastname@example.org>
Window shadow on Johnny's jacket changes while in his boss's office. See more »
This is Scott ffolliott, newspaperman same as you. Foreign correspondent. Mr. Haverstock, Mr. ffolliott.
With a double 'F'.
How do you do?
How do you do?
I don't get the double 'F'.
They're at the beginning. Both small 'F's
They can't be at the beginning.
One of my ancestors was beheaded by Henry VIII. His wife dropped the capital letter to commemorate it. There it is.
How do you say it, like a stutter?
No, just a straight 'fuh'.
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Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »
In the German version the final radio address was missing. The movie ends with the newspaper headlines. See more »
Hitchcock may not have wanted him, but Joel Mac Crea's "everyman" performance as "Huntley Haverstock" is the most purely likeable and accessible protagonist Hitchcock has ever had. And, that works perfectly for the movies which gets plenty of the dark and mysterious and perverted from the magnificent supporting cast (including Marshall, Gwenn, Sanders, and many others...). But McCrea's feckless honesty and stubborn determination (rather than the more usual-for-Hitchcock obsession) work refreshingly in contrast with the others.
All the other typical master touches, impeccable camera work, a great score, intricate interwoven plotlines, and many dualities are all on hand for a truly great and unforgettable cinematic experience.
Watch this film!
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