A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies.Written by
Col Needham <firstname.lastname@example.org>
The US Copyright Office uses "Huntley Haverstock" as the example of a pseudonym. See more »
When Johnny and Carol step down from the taxi in front of her house, he takes the suitcase with her left hand and changes it to the right one, to direct her with the left hand. After the taxi leaves, he is holding the suitcase in his left hand. See more »
[radio broadcast from London]
Hello, America. I've been watching a part of the world being blown to pieces. A part of the world as nice as Vermont, and Ohio
, and Virginia, and California, and Illinois lies ripped up and bleeding like a steer in a slaughterhouse, and I've seen things that make the history of the savages read like Pollyanna legends. I've seen women...
[bombs begin exploding]
It's a raid; we shall have to postpone the broadcast.
Oh, postpone, nothing! ...
[...] See more »
Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »
I literally could not believe how great this movie was once I'd seen it for the first time. After a short intro we are thrust directly into the action and from there on in, it's one thrilling set-piece after another.
We go from kidnapping to assassination, to car chase, to discovery of plot, to escape from a hotel, to a twist regarding the leader of the enemy, to a wonderful sequence with a hired bodyguard who is in fact an assassin, to a fake kidnapping set up by the heroes, to torture scene, to rescue, to plane crash at sea...
It's dizzying that this was all intended for one film and when the end credits rolled you really felt like you'd got your money's worth. If I'd have watched this movie when it came out in the forties, I would have praised Hitchcock all night for giving me ten superb movies in one for my dollar.
In short (although you can hardly call these ramblings short) check this movie out. If you're a fan of escapist, thrilling adventures populated by superb characters (see George Sanders as ffolliot, and Robert Benchley as Stebbins) you will be delighted. This is one of Hitch's lesser seen gems and deserves to be rediscovered without delay
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