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Fantasia

  • 1940
  • AL
  • 2h 4m
IMDb RATING
7.7/10
106K
YOUR RATING
POPULARITY
4,523
407
Fantasia (1940)
A collection of animated interpretations of great works of Western classical music.
Play trailer1:26
4 Videos
99+ Photos
Classic MusicalHand-Drawn AnimationAnimationFamilyFantasyMusicMusical

A series of eight famous pieces of classical music, conducted by Leopold Stokowski and interpreted in animation by Walt Disney's team of artists.A series of eight famous pieces of classical music, conducted by Leopold Stokowski and interpreted in animation by Walt Disney's team of artists.A series of eight famous pieces of classical music, conducted by Leopold Stokowski and interpreted in animation by Walt Disney's team of artists.

  • Directors
    • James Algar
    • Samuel Armstrong
    • Ford Beebe Jr.
  • Writers
    • Joe Grant
    • Dick Huemer
    • Lee Blair
  • Stars
    • Leopold Stokowski
    • Deems Taylor
    • The Philadelphia Orchestra
  • See production info at IMDbPro
  • IMDb RATING
    7.7/10
    106K
    YOUR RATING
    POPULARITY
    4,523
    407
    • Directors
      • James Algar
      • Samuel Armstrong
      • Ford Beebe Jr.
    • Writers
      • Joe Grant
      • Dick Huemer
      • Lee Blair
    • Stars
      • Leopold Stokowski
      • Deems Taylor
      • The Philadelphia Orchestra
    • 413User reviews
    • 128Critic reviews
    • 96Metascore
  • See production info at IMDbPro
    • Awards
      • 8 wins & 1 nomination

    Videos4

    50th Anniversary Theatrical Trailer
    Trailer 1:26
    50th Anniversary Theatrical Trailer
    Fantasia: Special Edition
    Clip 0:35
    Fantasia: Special Edition
    Fantasia: Special Edition
    Clip 0:35
    Fantasia: Special Edition
    Fantasia: Special Edition
    Clip 0:34
    Fantasia: Special Edition
    Fantasia: Special Edition
    Clip 1:02
    Fantasia: Special Edition

    Photos530

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    Top cast10

    Edit
    Leopold Stokowski
    Leopold Stokowski
    • Self - Conductor of The Philadelphia Orchestra
    Deems Taylor
    • Self - Narrative Introductions
    The Philadelphia Orchestra
    • Themselves
    Corey Burton
    Corey Burton
    • Narrator: Deems Taylor overdubs (2000 restoration)
    • (voice)
    • (uncredited)
    Walt Disney
    Walt Disney
    • Mickey Mouse (segment 'The Sorcerer's Apprentice')
    • (voice)
    • (uncredited)
    Hugh Douglas
    • Narrator (1982 version)
    • (voice)
    • (uncredited)
    James MacDonald
    • Percussionist
    • (uncredited)
    Tim Matheson
    Tim Matheson
    • Narrator (1985 version)
    • (voice)
    • (uncredited)
    Julietta Novis
    • Soloist (segment 'Ave Maria')
    • (singing voice)
    • (uncredited)
    Paul J. Smith
    • Violinist
    • (uncredited)
    • Directors
      • James Algar
      • Samuel Armstrong
      • Ford Beebe Jr.
    • Writers
      • Joe Grant
      • Dick Huemer
      • Lee Blair
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The animators secretly modeled elements of the Sorcerer in "The Sorcerer's Apprentice" on their boss, Walt Disney. The raised eyebrow was regarded as a dead giveaway. They call the character Yen Sid, which is "Disney" spelled backwards.
    • Goofs
      In the full-length introduction to the "Nutcracker Suite", heard only in the roadshow version of "Fantasia", Deems Taylor states that this music is from a longer ballet called "The Nutcracker" and "nobody performs it nowadays". The full-length "Nutcracker" had not been performed in the U.S. yet in 1940, but in both Russia and England it had been staged in 1934, and had already been staged in Russia twice before that, in 1892 and 1919. However, although the "Nutcracker Suite" was immensely popular even in 1940, the full-length ballet was still a long way off from becoming the annual phenomenon it now is in the United States.
    • Quotes

      Mickey Mouse: [Pulling on Stokowski's coat] Mr. Stokowski! Mr. Stokowski!

      [Mickey whistles to get Stokowski's attention]

      Mickey Mouse: My congratulations, sir!

      Leopold Stokowski: [shaking hands with Mickey] Congratulations to you, Mickey!

      Mickey Mouse: Gee, thanks! Hehe! Well, so long! I'll be seeing ya!

      Leopold Stokowski: Goodbye!

    • Crazy credits
      There are no closing credits of any kind. Not even the words "THE END" appear on the screen.
    • Alternate versions
      Before the 1990 re-release, the film was shown with no credits other than the title and the RKO logo. Leopold Stokowski received a written credit only on the posters advertising the film. In the film's original roadshow release, not even the title was shown at the beginning of the film - that was saved for the intermission break.
    • Connections
      Edited into A World Is Born (1955)
    • Soundtracks
      Toccata and Fugue in D Minor, BWV 565
      Composed by Johann Sebastian Bach

      Orchestrated by Leopold Stokowski (uncredited)

      Played by The Philadelphia Orchestra

      Conducted by Leopold Stokowski

    User reviews413

    Review
    Review
    Featured review

    A human Movie

    2017 is a year of technical marvel. Looking at movies of today, we see massive, stunning works of animation. We can now achieve computer generated images that look nearly indistinguishable from reality, and at the forefront of movie making today is Disney. Through Marvel, Disney creates multiple action packed superhero blockbusters a year. Star Wars, after it's 2015 revival, has new movies being released annually. Pixar, after creating several successful franchises, is now resting on its laurels, creating sequels like Finding Dory, Toy Story 4, Cars 3 and Incredibles 2. Even Disney's in house animation team is finding success, bringing back the Disney princess formula with movies like Frozen and Moana. However, amidst all this success, we have lost the truly human touch. Fantasia perfectly captures all that was lost in today's Disney movies. The movie has a very personal and human feel to every aspect of it. The orchestra, a very tangible presence in the movie, feels alive. They laugh, play their own little tunes during the intermission, but most importantly, they make mistakes. The animation is the same way, It's very rough at times and sometimes lacking, with some animations being reused, however every shot is filled with passion. You can tell that people worked on this, people with ambition, though they were not perfect. In modern movies, this beautiful animation that looks so real lacks the touch of individualism that Fantasia has in spades. The scene of the Sorcerer's apprentice dancing around the broom is burned into our collective memory for a reason. In all its flaws, its rough edges, it feels real to us. We can see all the raw effort and energy that the animator's put into each of Mickey's footsteps and that resonates with us. Fantasia speaks to the viewer not because it's perfect, but because it's flawed.
    • sethsholtes
    • Oct 17, 2017
    • Permalink

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    FAQ22

    • How long is Fantasia?Powered by Alexa
    • How many different versions of Fantasia are there?
    • How come many of the pieces do not follow a story?

    Details

    Edit
    • Release date
      • September 19, 1941 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Bach to Stravinsky and Bach
    • Filming locations
      • Stage 1, Walt Disney Studios, 500 South Buena Vista Street, Burbank, California, USA(orchestra)
    • Production company
      • Walt Disney Animation Studios
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $2,280,000 (estimated)
    • Gross US & Canada
      • $76,408,097
    • Opening weekend US & Canada
      • $980,798
      • Feb 10, 1985
    • Gross worldwide
      • $76,411,819
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 4 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
      • 3 Channel Stereo
      • Stereo
    • Aspect ratio
      • 1.37 : 1

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