Duke falls for Flaxen in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Tito, goes home and PL: learns to gamble, and returns. After he makes a ... See full summary »
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
In 1818 Alabama, French settlers are pitted against greedy land-grabber Blake Randolph but Kentucky militiaman John Breen, who's smitten with French gal Fleurette De Marchand, comes to the settlers' aid.
Bijou, a saloon singer with a reputation for inciting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes very... See full summary »
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. It's just prior to the civil war and there is already a sharp division in the Territory as to whether it will remain slave-free. When he gets the opportunity to run for marshal, Seton finds himself running against the respected local schoolteacher, William Cantrell. Not is what it seems however. While acting as the upstanding citizen in public, Cantrell is dangerously ambitious and is prepared to do anything to make his mark, and his fortune, on the Territory. When he loses the race for marshal, he forms a group of raiders who run guns into the territory and rob and terrorize settlers throughout the territory. Eventually donning Confederate uniforms, it is left to Seton and the good citizens of Lawrence to face Cantrell and his raiders in one final clash.Written by
Opening credits: Some portions of this photoplay are based upon actual incidents in the lives of its principal characters. All other events and characters are fictitious, and any similarity to actual events or persons is coincidental. See more »
Observing Cantrell's uniform, Bob Seton tells him, "General Beauregard and the Fifth Army are a long ways from here, but that doohickus on your collar says Fifth Army." In the Confederate Army, collar insignia only indicated an officer's rank, not which general's army he belonged to. Furthermore, Civil War armies were not numbered like U.S. forces in the twentieth century, but instead took their names from states, regions, rivers, etc. (ex. the Army of Tennessee, the Army of the Potomac). See more »
Bob 'Shortcut' Seton:
Folks, it's true. I don't know much about the law. Ain't had much book learning. But the good Lord gave me a nose for smelling a horse thief a mile off. And what you need in these parts is a marshal that's better at smelling than spelling.
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Opening credits prologue: In those years, 1859 and on, in the dusk before the nation plunged into the red night of civil warfare, the plains of Kansas were an earlier battleground. Down from the north, down to Kansas: up from the south, up to Kansas, came hordes - each bent on voting the territory into the Union as its own. The battle cry of the day was - - "On to Kansas." See more »
Also available in a computer colorized version. See more »
John Wayne (as Bob Seton) stars in a Civil War-era film wherein he runs for Marshall of a Kansas town, against wicked schoolteacher Walter Pidgeon (as Will Cantrell). Of course, they are rivals for the attention of a woman - beautiful Claire Trevor (as Mary McCloud). Roy Rogers adds additional charm as brother McCloud. The story is rather more ordinary than intriguing, but the western scores on several fronts
First, the direction by Raoul Walsh is outstanding. The production is well-mounted; it includes the expected exciting climax, but that's not all... Even better than the climatic ending is a spectacular sequence involving a stagecoach. Don't miss it! The indoor scenes are great, too. Watch the scenes in the Barber Shop, for example: witness the sets, direction, and photography. The placement of characters and objects, along with the great street outdoors, provide terrific visual depth.
The story doesn't do the production justice, however. And, some of the performances are merely adequate; and, sometimes they seem unfocused. Mr. Pidgeon's is probably the most consistent of the main players. Mr. Wayne and some of the players might have improved with some additional worked on their characterizations; and, if the story was sharper, "Dark Command" might have been a truer classic.
******* Dark Command (1940) Raoul Walsh ~ John Wayne, Claire Trevor, Walter Pidgeon
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