"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ... See full summary »
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary-style movie of both newsreel and ... See full summary »
This is the tale of life in a British port in the first year of World War II. Spies and smugglers abound in the blackout and unreal shore life of the "phoney war" (before the shooting started).Written by
Steve Crook <email@example.com>
The first film that Deborah Kerr worked on. She played a cigarette girl in one of the nightclubs visited. But although she impressed everyone, her scene ended up on the cutting room floor. See more »
The bigger the ship, the smaller the adventure. The smaller the ship, the bigger the adventure. But you wouldn't understand that. Because you have childish ideas about life. Because like so many women you live only for little excitements like, er...
Well, like going out every night, somewhere new, somebody new. Right?
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"White Negro" caberet designed & executed by Hedley Briggs. See more »
Eight minutes were cut from Contraband for its U.S. release; some just snips here and there, others more major. The most regrettable loss is the opening minutes of Veidt's and Hobson's table scene at the Three Vikings Restaurant, which in the U.S. version begins at the point when Veidt and Hobson begin drinking together and look at Veidt's watch. Another cut sequence shows black male dancers and white female dancers in a nightclub production number [The "White Negro" cabaret designed & executed by Hedley Briggs], a racial combination that would have outraged much of white America at the time, especially in the Southern states. See more »
When Contraband came out in November of 1940 Denmark had been invaded and occupied for several months. If there was a pretense of neutrality before, there was none now as the Danes were forced to be allied with the United Kingdom and its Commonwealth. Conrad Veidt and Valerie Hobson star in the Powell/Pressburger spy thriller done in the vein of Alfred Hitchcock. Lots of resemblance with Hitch's classic The 39 Steps.
Veidt is a Danish sea captain who is not real happy about being neutral and the risks it imposes on people like him trying to earn a living transporting trade goods. After a British inspection of his ship, two passengers fly the coop with his ship's log and landing clearances. One of them is Valerie Hobson and Veidt makes an unauthorized landing of his own to apprehend Hobson and her partner.
Soon enough he's up to his Danish ears in all kinds of intrigue concerning smuggling. He and Hobson pair off well, very much like Robert Donat and Madeleine Carroll in The 39 Steps. Veidt who was known in America primarily for those smooth villainous roles like The Thief of Bagdad, Escape, and Casablanca could easily have transitioned to an all purpose continental leading man like Charles Boyer had be immigrated to America in time of peace.
It's not a Hitchcock like classic. But Contraband was a film pleasing enough to British audiences back in the day.
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