Rikollisen kunniasana

Original title: Castle on the Hudson

19401940
K-16K-16
1h 17m

IMDb RATING

6.7/10

727

YOUR RATING

John Garfield, Pat O'Brien, and Ann Sheridan in Rikollisen kunniasana (1940)

Crime Drama

An arrogant mobster, sentenced to a long prison term in Sing Sing, becomes a changed man when given a chance by the fair and progressive warden.An arrogant mobster, sentenced to a long prison term in Sing Sing, becomes a changed man when given a chance by the fair and progressive warden.An arrogant mobster, sentenced to a long prison term in Sing Sing, becomes a changed man when given a chance by the fair and progressive warden.

IMDb RATING

6.7/10

727

YOUR RATING

Director
- Anatole Litvak
Writers
- Seton I. Miller(screen play)
- Brown Holmes(screen play)
- Courtney Terrett(screen play)
Stars

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Photos8

John Garfield and Ann Sheridan in Rikollisen kunniasana (1940)

Pat O'Brien, Burgess Meredith, and Guinn 'Big Boy' Williams in Rikollisen kunniasana (1940)

John Garfield, Burgess Meredith, and Ann Sheridan in Rikollisen kunniasana (1940)

John Garfield in Rikollisen kunniasana (1940)

Storyline

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Did you know

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Trivia
The $15,000 that Tommy and his gang stole in 1940 would be the equivalent of $300,000 in 2022.

Goofs
As the train pulls into station, the conductor announces "Ossining". A sign can be seen through the window - "Lord and Burnham, Irvington, New York". Irvington is four stations south of the Ossining station.

Quotes
Steven Rockford: Come over to the cell and see me sometime, Doctor. We'll discuss the psychopathic neurosis of the subnormal stride, if you know what I mean, and I think you do.

Connections
Edited into 365 days, also known as a Year (2019)

Soundtracks
Begin the Beguine
(1935) (uncredited)
Music by Cole Porter
Played as dance music at the nightclub

User reviews13

Review

Featured review

6/10

Sing Sing Days

John Garfield provides the power as a gung-ho gangster who struggles to accept his time at Sing Sing in this prison reform drama. A faithful remake of 20,000 Years At Sing Sing that leans more to its 30s gangster roots than to the nascent style of film noir. Though the plot itself is harsh, the film lacks subtlety, portrays the prison staff as noble stewards bent on rehabilitation, and aims for sentimentality over action.

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