Georgi has attempted suicide in reaction to an earlier love affair. Now that Dr. Decker has married her he sets out to get her to love him. To make enough to give her what she wants he ... See full summary »
Self-absorbed Dr. Lee Johnson enlists with the Army medical corps during World War II, more out of a feeling that it's "the thing to do" rather than deep-seated patriotism. On his first day... See full summary »
Buddies Big John McMasters and Square John Sand are fast-talking, wisecracking wildcatters who manage to con enough equipment and capital to develop their own oil fields, but their friendship is put to the test when Big John inadvertently falls in love with Elizabeth, Square John's longtime girlfriend. Eventually their friendship and partnership comes to an end on the flip of a coin. Years later, when Big John's interest in the beautiful Karen Vanmeer threatens his marriage too, Square John intervenes in an effort to save the marriage of his former friend - even if it means ruining him financially.Written by
G. Taverney (email@example.com)
This film was initially telecast in Los Angeles Friday 4 October 1957 on KTTV (Channel 11), followed by New York City 2 March 1958 on WCBS (Channel 2), by San Francisco 11 May 1958 on KGO (Channel 7), and, finally by Philadelphia 12 September 1958 on WFIL (Channel 6). See more »
When Clark Gable rides the donkey at the rodeo he is holding a balloon, in the first wide shot the balloon is gone, but reappears again in the next close up. See more »
[Opening title] This is the story of a hard driving breed of Americans - oil prospectors - "wildcatters". Made of the bone and blood of pioneers - men born of the lasting miracle that is America - they probed the Earth from early Pennsylvania to California's Kettleman Hills to bring forth America's greatest treasure, the life blood of today's world - oil! See more »
As one who has worked in the "oil patch" for 25 years, I feel that 'Boom Town' is the most realistic portrait of the industry (during that period) that has ever been put on film. The formation of the cartel mimics the origins of Standard Oil. Also, the 'feel' of the picture is right and the industry is not romanticized as in other films. Perhaps, as was noted in other comments, this is because of Gable's experience as a wildcatter.
Several others have noted, or objected to, Gable's speech about the nature of the industry. Yes, it is decidedly pro-business and anti-government, but it is not really laissez faire. The film argues for controlled production of oil fields to maximize their long-term benefit. This speech is amazingly prescient of our current crisis.
I watch this one every time it airs.
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