Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he... See full summary »
Rita Hayworth co-stars with famed recording artist Tony Martin in this musical comedy featuring the music of Andre Kostelanetz and his orchestra. Following various comic misunderstandings, ... See full summary »
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
A ruthless, cynical, hated publisher is killed in a plane crash, doomed to be a "restless" spirit for being unloved. A heavenly power gives him a month on Earth to find one person to shed a tear for him before his fate is sealed.
A married reporter's assignments carry him all over the world, which gives him ample opportunity to put the moves on the local females. He's in Lisbon attempting his latest "conquest" when ... See full summary »
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
A super-efficient secretary at a department store falls for and marries her boss, but finds out that taking care of him at home (and especially his spoiled-brat daughter) is a lot different from taking care of him at work.
Gregory La Cava
Charles Engle has been caught embezzling. He writes a suicide note, and goes out wandering on the town. Small-time hustler Bill O'Brian sees him give a couple of big tips, figures he's rich, and plans to take him over to a big-time card game and fleece him. He enlists Nina Barone to help get Engle to the game. She goes along, but is more interested in O'Brien than in his schemes. Meanwhile, a perpetually drunk and none too successful playwright, Gene Gibbons, finds the suicide note. He cooks up a scheme (with the reluctant aid of O'Brien) to get the money Engle needs to pay back his employer and save his life.Written by
John Oswalt <firstname.lastname@example.org>
Walter Baldwin (Rennick) and Stanley Brown (Master of Ceremonies) are listed by a modern source as cast members for those roles, but they did not appear or were not identifiable in the movie. See more »
When the camera pans with Charles Engle as he gets up to leave the poker game, the shadow of a cable dangling from the microphone boom can be seen following him against the back wall. See more »
I first became friends with Rita when I was 22 and the same age as she is in this only film of hers I had never seen till last night. On that night she and Hermes Pan (master choreographer)were slumming to show her what a coffee house was like, and my roommate who knew Hermes invited them to the hippie like house in an alley way in West Hollywood we shared.We both were in love with the Goddess and did black magic (amateur)to see that Hermes would bring her and it worked.Rita was 38 an still beautiful,a gypsy who drank our cheap wine,and we talked and laughed till dawn. From that day forward,we spent three or four nights a week at her home on Hartford and she often burnt dinner for us and we drank Dom Perignon and we danced and laughed and she told stories and her Brooklyn accent would come out (I hear it a lot in ANGELS) Rita always insisted she could act and this film showed her talent and some of her incredible allure which was emerging.I think she did BLOOD AND SAND the next year where she was outrageously sensual and cruel.She was great in that.Paulene Kael disliked her because she was dubbed by Anita Ellis in most films even though Rita had a decent voice. I found this Hecht film to be far ahead of its time with terrific casting and dialogue which sounded like Mankiewicz in a way,and a touch of Damon Runyon with sophistication.It is an odd, and terrific film and my Rita was really good and I watched her and she "listened" to other actors like a seasoned performer.She still is magical and her presence on film still excites.
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