Obsessed with perfecting his craft, young gemcutter Danilo visits the mystical Copper Mountain to uncover the secret behind its infamous attraction - the Stone Flower, a stone carving so captivating that no one can leave after seeing it.
Kind and instructive tale of four evil wizards who decided to regain youth. But for this it was necessary to find people aimlessly waste their time. Luck smiled on them! They met four ... See full summary »
Vasilisa Prekrasnaya, (Vasilisa the Beautiful) is about a father whose three sons go out to finds themselves brides. Two of the boys come home with perfectly normal girls, but the youngest ... See full summary »
Olya steps through the mirror into the Kingdom of Crooked Mirrors where Yalo resides. The kingdom, under the rule of King Yagupop LXXVII (reverse of Popugay, meaning parrot) produces ... See full summary »
Adapted from four different Russian folk-tales, this early Soviet fantasy film tells the story of Emelya the Fool, who, fishing one day, catches a talking pike who pleads for his life and in return grants Emelya wishes for a life spared.
Animated series about the adventures of a parrot Kesha, "the hero of our time." All the action is concentrated in a certain abstract Russian city and its surroundings. Kesha lives in the ... See full summary »
One day, Vasya journeys into the forest to meet his beloved Alyonushka, only to have her forcibly whisked away by the wretched Kashchej. To save her, Vasya must face a number of fabulous, archetypal tests.
Having really liked all of Ptushko's films, especially Stone Flower and The Tale of Tsar Sultan, I knew I wanted to see The Golden Key. And after seeing it on Youtube, I'm glad I did. The New Gulliver, also directed by Ptushko, is perhaps more historically significant regarding stop-motion animation, but as a piece of storytelling and fantasy I personally prefer the lesser-known The Golden Key. It is a beautiful-looking film, the sets are lavish and shot with simplicity but elegance and atmosphere. The stop-motion is not quite as impressive as it is in The New Gulliver(of which Ray Harryhausen held in high regard), but is done with great detail and care and used very well throughout. I fell in love with the music, the score itself is lushly orchestrated and charming in its lyricism. The very Russian-folk-song-sounding song is just beautiful and not one I'm going to forget in a long while, I also loved how it was sung with a light lyrical tenor voice(like Russia's answer to a slightly richer-sounding John McCormack). The story is told with a real sense of wonder, with charm, with heart and a dose of humour. The more antagonistic elements of the film are appropriately menacing and used in a way that's not too heavy-handed. The climax is exciting and rounds off nicely. The dialogue reflects these qualities and tell the story well, even though I'm not Russian my Russian lessons for my operatic vocal studies degree is helping enormously so I got at least the gist of what was being said. It helped also that the facial expressions of the characters, all of which are compelling and none feel pointless to the storytelling in any way, told a lot. The acting has a command and nobility, if occasionally on the broad side. The voices for the stop-motion characters are appropriate and generally very well done and emotive, though the pitch some of it is voiced in might get on your nerves a bit. Overall, a very good film and underrated. If you like Ptushko, fantasy, stop-motion or all, you'll find plenty to like with The Golden Key. 9/10 Bethany Cox
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