Ishun is a wealthy, but unsympathetic, master printer who has wrongly accused his wife and best employee of being lovers. To escape punishment, the accused run away together, but Ishun is certain to be ruined if word gets out.
In post-war Japan, sixteen-year-old Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a maiko (geisha apprentice). Eiko explains that her mother - who ... See full summary »
Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for ... See full summary »
In 8th-century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the ... See full summary »
Hatsuko Umabuchi is a widow who runs a prosperous geisha house in present-day Kyoto. Her daughter Yukiko returns from Tokyo following a failed suicide attempt, after her lover found out ... See full summary »
Shinnosuke is introduced to Shizu as a prospective wife, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of ... See full summary »
In Tokyo in 1888, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father's heir, and that the troupe complains how bad he is behind his back. The only person to talk to him honestly about his acting is Otoku, the wet-nurse of his adoptive father's child. She is fired by the family, and Kikunosuke is forbidden to see her, because of the gossip a relationship with a servant would cause. Kikunosuke falls in love with Otoku, and leaves home to try to make a living on his own merits outside Tokyo. He is eventually joined by Otoku, who encourages him to become a famous actor to regain the recognition of his family.Written by
Interesting but hardly great - Japan "Gone with the Wind"
I've read some very exciting comments about this picture and in the middle of the movie I realized how I'm disappointed a bit. Keep your expectations low, lads. It's not Mizoguchi's screenplay like "Sisters of Gion", this movie based on a book. Classic story, very predictable, with straightforward acting, especially lead woman with tears and tempted voice all the time.
Although a beautiful visual look, I couldn't connect myself with the movie. Unlike to "Naniwa ereji" (Osaka Elegy, 1936) and "Gion no shimai" (Sisters of the Gion, 1936), which are also very simple, but truthful and realistic, with sudden thought provocative endings. I prefer and recommend this movies ahead of "Zangiku monogatari".
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