The Story of the Last Chrysanthemum (1939)

The adopted son of a legendary actor, and an aspiring star himself, turns to his infant brother's wet nurse for support and affection - only for her to give up everything for her beloved's glory.

Director:

Kenji Mizoguchi

Writers:

Matsutarô Kawaguchi, Shôfû Muramatsu (novel)

Stars:

Shôtarô Hanayagi, Kôkichi Takada, Ryôtarô Kawanami

1 win.

Cast

Cast overview, first billed only:
Shôtarô Hanayagi	...	Kikunosuke Onoue
Kôkichi Takada	...	Fukusuke Nakamura
Ryôtarô Kawanami	...	Eiju Dayu
Kinnosuke Takamatsu	...	Matsusuke Onoue
Jun'nosuke Hayama	...	Kanya Morita
Tamitaro Onoue	...	Tamizô Onoue
Ichirô Yûki	...	Guest in waiting room
Kômei Minami	...	Shintomi greenroom manager
Jin'ichi Amano	...	Shintomi's onnagata
Haruo Inoue	...	Actor
Sumao Ishihara	...	Manager of the travelling company
Kô Hirota	...	Greenroom manager of the travelling company
Minpei Tomimoto	...	Guest in waiting room
Eijirô Hose	...	Travelling actor
Nobuko Fushimi	...	Eiryû, a geisha

Storyline

In Tokyo in 1888, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father's heir, and that the troupe complains how bad he is behind his back. The only person to talk to him honestly about his acting is Otoku, the wet-nurse of his adoptive father's child. She is fired by the family, and Kikunosuke is forbidden to see her, because of the gossip a relationship with a servant would cause. Kikunosuke falls in love with Otoku, and leaves home to try to make a living on his own merits outside Tokyo. He is eventually joined by Otoku, who encourages him to become a famous actor to regain the recognition of his family.

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Plot Keywords:

actor | acting | love | wet nurse | truth | 

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Genres:

Drama | Romance

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Certificate:

Not Rated

Details

Country:

Japan

Language:

Japanese

Release Date:

15 January 1979 (USA)

Also Known As:

The Story of the Last Chrysanthemum

Company Credits

Production Co:

Shôchiku Eiga

Technical Specs

Runtime:

143 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film is said by critics and scholars to epitomize the "one scene = one long shot" aesthetic of director Kenji Mizoguchi. In fact, there are many scenes that have no internal cuts, and the entire film contains almost no close-ups.

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Connections

Remade as Zangiku monogatari (1956)

User Reviews

Possibly Mizoguchi's finest pre-war film

Along with "Sisters of the Gion"(1936) and "Osaka Elegy"(1936), "Zangiku monogatari" is a strong candidate for Kenji Mizoguchi's finest pre-war film. It is one of the greatest and most beautiful films I have ever seen - a profoundly sublime, heartbreaking love story between a Kabuki actor(Shotaro Hanayagi) and working class servant (Kakuko Mori) who makes sacrifices to herself to ensure his theatrical success. The film, filled with dazzling long takes and rich Sternbergian compositions, centers on Mizoguchi's characteristic theme: the shallowness of men and the generosity of women. Rarely has a Mizoguchi film seem at once so sublime and devastating in its impact. The final sequence alone is among the finest in all of cinema.

My favorite Mizoguchi remains "The Life of Oharu"(1952); "Zangiku monogatari" is not very far behind.