After an accident Raymond has gone blind .His family treats him like a child .But fortunately ,a nun comes to his rescue.She works in a center where blind people learn to read with the Braille alphabet.
Julien publishes an autobiography focusing on his childhood memories and his odd relationship with his long-estranged mother. His mother, who is unaware of the book's content, tries to reconnect with him and redeem the lost time.
They go from town to town, a big top on their backs, their show over their shoulder. They bring dreams and disorder to our lives. They are ogres, giants. They've devoured the theater and ... See full summary »
Ten years in the life of Abraham Lincoln, before he became known to his nation and the world. He moves from a Kentucky cabin to Springfield, Illinois, to begin his law practice. He defends two men accused of murder in a political brawl, suffers the death of his girlfriend Ann, courts his future wife Mary Todd, and agrees to go into politics.Written by
Ed Stephan <email@example.com>
This film is part of the Criterion Collection, spine #320. See more »
When Abe crosses over fence to stand next to Ann there isn't as nearly the height difference between them as when they walk together along the fence. See more »
[questioning Cass about Scrub's death]
What were you and Scrub arguing about?
John Palmer Cass:
I'd rather not say.
Oh, you'd rather not say. Well, Jack, I'd rather you did say.
John Palmer Cass:
All right. We was arguin' about politics.
Well, that's something new to argue about.
John Palmer Cass:
I've learned some since, but I told Scrub I thought you had at least as much political sense in you as Stephen Douglas. Scrub got as mad as a wet hen and said you didn't!
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According to John Ford's lyrically shot, fictional biopic of Abraham Lincoln's life his greatest faults may have been an obtuseness with woman and an ability to dance in "the worst way." Ford's camera has only praising views to reveal of Mr. Lincoln's early life. But for what the film lacks in character complexities it makes up for in beauty and depth of vision. Uncharacteristically beautiful compositions of early film, what could have been a series of gorgeous still frames, Ford has a unique eye for telling a story. The film sings of the life of a hopeful young man. Henry Fonda plays the contemplative and spontaneously clever Lincoln to a tee, one of his best roles.
The film concerns two young men, brothers, on trial for a murder that both claim to have committed. In classic angry mob style, the town decides to take justice into their own hands and lynch the pair of them, until honest Abe steps into the fray. He charms them with his humor, telling them not to rob him of his first big case, and that they are as good as lynched with him as the boys lawyer. What follows seems to become the outline for all courtroom- murder-dramas thereafter, as Abe cunningly interrogates witnesses to the delight and humor of the judge, jury and town before he stumbles upon the missing links.
The film plays out like many John Ford movies do: a tablespoon of Americana, a dash of moderate predictability, a hint of sarcasm that you aren't sure if you put in the recipe or if Ford did it himself. Despite the overtly 'Hollywood' feel of the film, and overly patriotic banter alluding to Lincoln's future presidency, the film is entirely enjoyable and enjoyably well constructed, if you can take your drama with a grain of salt.
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