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Young Mr. Lincoln (1939)

Passed | | Biography, Drama | 9 June 1939 (USA)
A fictionalized account of the early life of the American president as a young lawyer facing his greatest court case.

Director:

John Ford

Writer:

Lamar Trotti (original screenplay)
Reviews
Popularity
3,372 ( 12,853)

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Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Henry Fonda ... Abraham Lincoln
Alice Brady ... Abigail Clay
Marjorie Weaver ... Mary Todd
Arleen Whelan ... Sarah Clay
Eddie Collins Eddie Collins ... Efe Turner
Pauline Moore ... Ann Rutledge
Richard Cromwell ... Matt Clay
Donald Meek ... Prosecutor John Felder
Judith Dickens Judith Dickens ... Carrie Sue
Eddie Quillan ... Adam Clay
Spencer Charters ... Judge Herbert A. Bell
Ward Bond ... John Palmer Cass
Rest of cast listed alphabetically:
Eddy Waller ... Father (scenes deleted)
Clarence Wilson Clarence Wilson ... Dr. Mason (scenes deleted)
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Storyline

Ten years in the life of Abraham Lincoln, before he became known to his nation and the world. He moves from a Kentucky cabin to Springfield, Illinois, to begin his law practice. He defends two men accused of murder in a political brawl, suffers the death of his girlfriend Ann, courts his future wife Mary Todd, and agrees to go into politics. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

The story of Abraham Lincoln that has NEVER been told!

Genres:

Biography | Drama

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

9 June 1939 (USA) See more »

Also Known As:

Young Mr. Lincoln See more »

Filming Locations:

Sacramento, California, USA See more »

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Box Office

Budget:

$1,500,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

John Ford and producer Darryl F. Zanuck fought an extended battle over control of the film. Ford even had unused takes of the film destroyed so the studio could not insert them into the movie. One scene that Ford insisted on cutting was a scene where Lincoln met his future assassin, a very young John Wilkes Booth. See more »

Goofs

When comparing a farmer's dog to Scrub White, Abe's hand leaves the bench between shots. See more »

Quotes

Judge Herbert A. Bell: Come, come, gentlemen. You've got to give the boys a fair trial - a jury trial - before ou hang 'em.
See more »

Connections

Featured in The Siskel & Ebert 500th Anniversary Special (1989) See more »

Soundtracks

The Dew Is On The Blossom
(uncredited)
Played when Abe is kneeling by Anns grave
See more »

Frequently Asked Questions

See more »

User Reviews

 
Young Lincoln Gets the 'Ford' Treatment!
2 July 2006 | by cariartSee all my reviews

1939 is universally accepted as the greatest year in Hollywood history, with more classic films released than in any other, and John Ford directed three of the best, "Stagecoach", "Drums Along the Mohawk", and this beautiful homage to frontier days and a young backwoods lawyer destined to eventually save the Union, "Young Mr. Lincoln".

With the world plunging into a war that America dreaded, but knew it would be drawn into, Abraham Lincoln was much on people's minds, in 1939, as someone who had faced the same dilemma in his own life, and had triumphed. On Broadway, Robert E. Sherwood's award-winning "Abe Lincoln in Illinois", with Raymond Massey's physically dead-on portrayal, was playing to packed houses (it would be filmed in 1940). Carl Sandburg's continuation of his epic biography, "Abraham Lincoln: The War Years", was published, and quickly became a best seller. President Roosevelt frequently referred to Lincoln in speeches, and the Lincoln Memorial, in Washington, D.C., became the most popular landmark in town (a fact that Frank Capra made good use of, in "Mr. Smith Goes to Washington").

All this was not lost on Darryl F. Zanuck, at 20th Century Fox; as soon as he read Lamar Trotti's screenplay of Lincoln's early days as a lawyer, he designated it a 'prestige' production, and assigned John Ford to direct, and Henry Fonda, to star.

Fonda did NOT want to play Lincoln; he felt he couldn't do justice to the 'Great Emancipator', and feared a bad performance would damage his career. Even a filmed make-up test, in which he was stunned by how much he would resemble Lincoln, wouldn't change his mind. According to Fonda, John Ford, whom he'd never worked with, cussed him out royally, at their first meeting, and explained he wasn't portraying the Lincoln of Legend, but a young "jackanape" country lawyer facing his first murder trial. Humbled, Fonda took the role. (John Ford offered a different scenario of the events, but the outcome was the same!) Obviously, they found a chemistry together that worked, as nearly all of their pairings would produce 'classics'.

Unlike the introverted, melancholia-racked Lincoln of "Abe Lincoln in Illinois", Ford's vision was that of a shy but likable young attorney, who made friends easily, and misses the mother he lost, too young (resulting in a bond with a pioneer mother that becomes a vital part of the story). Injustice riles him, and he speaks 'common sense' to quell violence, interlaced with doses of humor. Both productions play on Lincoln's (undocumented) relationship with Ann Rutledge; in Ford's version, the pair are truly in love, and committed to each other. After her death, Lincoln would frequently visit her grave, to share his life with her 'spirit' (a theme Ford would continue in "She Wore a Yellow Ribbon").

A murder trial is the centerpiece of the film, and shows the prodigious talents of the star and director. Fonda deftly portrays Lincoln's inexperience, yet earnest belief in justice tempered with mercy, and Ford emphasizes the gulf between the big-city 'intellectuals' (represented by pompous D.A. Donald Meek, and his slick 'advisor', Stephen Douglas, played by a young Milburn Stone), and the informal, rule-bending country sense of Lincoln. With Ford 'regular' Ward Bond as a key witness, the trial is both unconventional, and riveting.

With the film closing as Lincoln strides away into the stormy distance, and his destiny (dissolving into a view of the statue at the Lincoln Memorial), audiences could take comfort in the film's message that if a cause is just, good would ultimately triumph.

"Young Mr. Lincoln" is a truly remarkable film, from an amazing year!


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