Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.Written by
George Cukor not only changed Judy Garland's physical appearance in the film to the way it looks in the finished version, but also modified the Scarecrow's makeup. Later, when Victor Fleming had been assigned to direct, Jack Haley began filming his first scene as the Tin Man, the scene in which Dorothy and the Scarecrow first discover him. Buddy Ebsen, who had been playing the Tin Man, had to back out because of an allergic reaction to his makeup, and never filmed this scene; he had only filmed scenes that take place in the second half of the film, after the four travelers have been to the Wash and Brush Up Co. at the Emerald City. Haley had been filming his first scene for three days before anyone realized that he had no "rust" on his "tin" costume, even though in the story he was supposed to have been standing rusted for an entire year. The rust was immediately applied to it. See more »
When Dorothy first meets the Scarecrow, he vacillates between having his head above the top of the pole and having his head below the top of the pole. See more »
She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
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Dedication right after opening credits - "For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion. To those of you who have been faithful to it in return ...and to the Young in Heart ...we dedicate this picture." See more »
From 1968 to 1984, on NBC-TV and CBS-TV airings of the film, the film was edited to sell more commercial time. As the amount of commercial time on network television gradually increased, more scenes were cut. According to film historian John Fricke, these cuts started with solely a long tracking shot of Munchkin Land after Dorothy arrives there. The rest of the film remained intact. Also according to Fricke, more wholesale cutting of the film took place when CBS regained the TV rights in 1975. By the 1980s, the other excised shots included: the film's dedication in the opening credits, continuity shots of Dorothy and Toto running from the farm, establishing shots of the cyclone, the aforementioned tracking sequence in Munchkinland, the establishing shot of the poppy field, and tiny bits and pieces of the trip to the Wicked Witch's castle. CBS, which had shown the uncut version of the film in 1956, and again from the films first telecast until 1968, finally started to show it uncut again beginning in 1985, by time compressing it. Network airings in the 1990s were uncut and not time-compressed; the film aired in a 2-hour, 10-minute time period. See more »
Timeless classic still entertaining the masses as each new generation comes in.
Dorothy is a young girl living on a Kansas farm, during a tornado, she, along with her dog Toto, is swept up and plonked down in a magical and mysterious land known as Oz. Desperate to get back home and under threat from a wicked witch, she is advised to seek out a great wizard who should be able to help her get back home. As she sets off and on her way, she meets and befriends a wonderful array of characters whom also have something to ask of the fabled wizard, it's a journey that will prove to be both magical and fraught with danger.
The Wizard Of Oz is a film that has been pored over and dissected from almost everyone involved in the wonderful world of film. One thing that strikes me every time I view it is that there not only is no place like home, there is also no film like The Wizard Of Oz, and really, when all is said and done, there is unlikely to be another film of its ilk to ever grace the silver screen. Upon multiple viewings only the most biased of film fan could say that it is a technically perfect picture, it clearly isn't. At times it's a wee bit creaky and when scrutinised, some of the performances in the piece are far from an excellent standard, but crucially any misgivings are quickly erased due to the wonder of it all, this is because the film has an ability to transport everybody who is watching into OZ alongside Dorothy.
The Wizard Of Oz appeals (and caters) to every demographic and pretty much any age group, we have adventure, the meeting of new friends, fears and trepidations, booming colour, songs to singalong with, and of course the total point of homely values. The Wizard Of Oz stands up well 70 years later because it taps into all the emotions available to the human being, be it a young child spellbound on a first viewing, or an octogenarian couple of grandparents wistfully humming along to the tunes, it's a film that shouldn't be dissected looking for faults and hidden meanings, it's a film that should be loved and praised for the ode to fantastical whimsy that it so obviously is.
The film of course will forever be associated with its darling star, Judy Garland. Viewing now, and knowing what a sad life she would eventually lead, The Wizard Of Oz is a fitting picture on which to remember what a magical and wonderful performer she was. Myself as a lump of waning machismo, I have no shame in saying that as Judy sings Somewhere Over The Rainbow I melt and feel as though I'm being sent spinning into another world, that's the power of the piece, as a sepia Kansas becomes the glorious colour of Oz, nothing else in my world matters, I'm in hook line and sinker.
There are many interesting back stories to the picture, with books galore available to anyone interested. Some notes that might interest you being the original castings to be W.C. Fields, Shirley Temple and Deanna Durbin, munchkins running riot, drunken cast members, sadness and suicides, and grizzled old pros fighting hard not to let Garland steal the picture. Well it makes for a great read, for sure, but what remains to this day is one of the most beloved pictures to have ever been made, for once in the pantheon of great cinema we have a film that is termed a classic, that actually deserves to have that tag!
One of the great things about the advent of technology is that it can benefit old classic movies to make them better, for now we can view remastered editions of The Wizard Of Oz and appreciate even more what a great job the makers did. Keep your eyes on Dorothy's Ruby Slippers during the film and see how they are the sparkling important character that they should be, or take in the brilliant work of the make up crew, the tiniest of rivets on The Tin Man a testament to the brilliant work that goes into bringing magic to our lives. Get the newest copy you can and then also see it on the biggest screen available to you because The Wizard Of Oz is a 10/10 movie. And then some.
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