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The Wizard of Oz (1939)

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Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home in Kansas and help her friends as well.

Directors:

, (uncredited) | 3 more credits »

Writers:

(screenplay), (screenplay) | 3 more credits »
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463 ( 290)
Top Rated Movies #232 | Won 2 Oscars. Another 7 wins & 14 nominations. See more awards »

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Cast

Complete credited cast:
... Dorothy
... Professor Marvel / The Wizard of Oz / The Gatekeeper / The Carriage Driver / The Guard
... 'Hunk' / The Scarecrow
... 'Zeke' / The Cowardly Lion
... 'Hickory' / The Tin Man
... Glinda
... Miss Gulch / The Wicked Witch of the West
... Uncle Henry
Pat Walshe ... Nikko
... Auntie Em
... Toto (as Toto)
... The Munchkins (as The Munchkins)
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Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by Dale Roloff

Plot Summary | Plot Synopsis

Taglines:

Let's go "Over the Rainbow" with Judy in her greatest hit! (1955 re-release) See more »


Motion Picture Rating (MPAA)

Rated PG for some scary moments | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1939 (USA)  »

Also Known As:

The Wizard of Oz  »

Filming Locations:

 »

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Box Office

Budget:

$2,800,000 (estimated)

Opening Weekend USA:

$5,354,311, 8 November 1998, Wide Release

Gross USA:

$22,202,612, 13 October 2013
See more on IMDbPro »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System: The Voice of Action)| (2005 re-issue)

Color:

(Kansas sequences) (1949 re-release)| (Kansas sequences) (1955 re-release)| (Sepiatone)| (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

There was an extra scene back in Kansas at the end of the film which got cut. In it, Hunk (the "real-life" counterpart to the Scarecrow) was going away to agricultural college and Dorothy was promising to write to him. It basically indicated that the slight romantic vibe some viewers picked up between Dorothy and the Scarecrow had a factual basis. See more »

Goofs

When Dorothy first enters Munchkinland, she places her arm around Toto. In the very next shot, her arm is immediately extended again. See more »

Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »

Crazy Credits

Toto is listed in the end credits as being played by Toto, when he was actually played by a dog named Terry. See more »

Connections

Referenced in How I Met Your Mother: Sunrise (2014) See more »

Soundtracks

Night on Bald Mountain
(1867) (uncredited)
Written by Modest Mussorgsky
Heard as background music while the group tries to flee the Witch's castle
Played by The MGM Symphony Orchestra
See more »

Frequently Asked Questions

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User Reviews

a milestone
12 November 2004 | by See all my reviews

People talk about The Wizard of Oz as a backdrop to their lives; and how true that is. I just saw it again, DVD, for the first time in--gosh!--20 years. There was a little art house in Lansing Michigan USA that ran it back then, on the popular premise that there's nothing like TWoO on "the big screen." That's the last time I'd seen it, 'til today.

I guess the part that "gets" me about the movie is how the writers made it pretty plain that the Scarecrow, Tin Man, and Cowardly Lion really already had what they thought they were missing; that their respective problems were in misapprehending their own complete natures. That's a powerful statement for many of us. I found myself most touched in scenes where the Scarecrow was showing wisdom, the Tin Man feeling deeply ("...when I think of Dorothy in that awful place..."), and the Lion...well, maybe accomplishing this effect was harder in his case...what *is* true courage?

Anyway, if you're reading this here, you must be a movie weenie, and you've no doubt already seen the movie, so I'm not going to recite the usual "go see this movie" mantra.

I was just very touching to see this movie again, at this phase in my life.

I will mention a few more things about how I now see this movie as a "growed up" (I'm almost 50): It's interesting how you can see the production values of the time; the lot sets and special effects and so forth. This movie is a powerful example of how a good story overcomes limited means in other areas.

People who look back with disdain on the low-tech chintz of old movies can see in TWoO the magic ingredient; narrative solidity. And I'm not a pollyanna about this: I'm sure the underlying reality behind its making is rife with horror stories of expert disagreement, rewrites, discarding, jerryrigging, and the rest of it. But in the end, something like narrative love won out; and that's the important thing.

Oh: And having Harold Arlen write the music was good luck indeed. And orchestrations which cleverly appropriated very tasty new ideas in composition (polymodalism, non-standard phrasings, etc.) didn't hurt, either!

Geez, this movie is such a little universe....I'd better stop here.


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