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The Wizard of Oz (1939)

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Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.

Directors:

Victor Fleming, George Cukor (uncredited) | 3 more credits »

Writers:

Noel Langley (screenplay), Florence Ryerson (screenplay) | 3 more credits »
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Popularity
699 ( 156)
Top Rated Movies #232 | Won 2 Oscars. Another 7 wins & 14 nominations. See more awards »

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Cast

Complete credited cast:
Judy Garland ... Dorothy
Frank Morgan ... Professor Marvel / The Wizard of Oz / The Gatekeeper / The Carriage Driver / The Guard
Ray Bolger ... 'Hunk' / The Scarecrow
Bert Lahr ... 'Zeke' / The Cowardly Lion
Jack Haley ... 'Hickory' / The Tin Man
Billie Burke ... Glinda
Margaret Hamilton ... Miss Gulch / The Wicked Witch of the West
Charley Grapewin ... Uncle Henry
Pat Walshe Pat Walshe ... Nikko
Clara Blandick ... Auntie Em
Terry ... Toto (as Toto)
The Singer Midgets ... The Munchkins (as The Munchkins)
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Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by Dale Roloff

Plot Summary | Plot Synopsis

Taglines:

Musical Spectacle! (1949 reissue). See more »


Motion Picture Rating (MPAA)

Rated PG for some scary moments | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 August 1939 (USA) See more »

Also Known As:

The Wizard of Oz See more »

Filming Locations:

Culver City, California, USA See more »

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Box Office

Budget:

$2,800,000 (estimated)

Opening Weekend USA:

$5,354,311, 8 November 1998, Wide Release

Gross USA:

$22,202,612, 13 October 2013
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System: The Voice of Action)| Dolby Digital (2005 re-issue)

Color:

Black and White (Kansas sequences) (1949 re-release)| Black and White (Kansas sequences) (1955 re-release)| Black and White (Sepiatone)| Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Throughout the rest of his career, Jack Haley denounced the idea that the making of this film was enjoyable: "People question me, like you're questioning me now, say 'Must've been fun making "The Wizard of Oz".' It was not fun. Like hell it was fun. It was a lot of hard work. It was not fun at all." See more »

Goofs

Towards the end of the King of the Forrest scene, Dorothy holds the carpet that acts as the King's train. As she walks, at 1hr 37mins 35secs she trips on the remaining carpet. Rather, her right foot slips backwards as it steps onto the carpet. Her left foot then lifts the edge of the carpet. She recovers very well, but the carpet remains bunched up after her falter. See more »

Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »

Crazy Credits

Toto is listed in the end credits as being played by Toto, when he was actually played by a dog named Terry. See more »

Alternate Versions

In 2004 and 2005 Warner Bros. restored the film using their digital Ultra Resolution technique for the film's 2005 re-release on DVD. This corrected the issues regarding the three Technicolor strips becoming misaligned during the 1998 restoration and also presented the film in its best quality to date. See more »

Connections

Referenced in Night Court: Inside Harry Stone (1984) See more »

Soundtracks

Home Sweet Home
(1823) (uncredited)
Music by H.R. Bishop
Played by The MGM Symphony Orchestra as background music during final sequences of film
See more »

Frequently Asked Questions

See more »

User Reviews

A Wiz of a film, if ever a Wiz there was
11 August 2003 | by DonFLSee all my reviews

The NBC Peacock began unfolding its wings. "The following program is brought to you in living color--with portions in black & white--on NBC." That exclusive intro began my exposure to color television at Grandma's in 1968. When Dorothy stepped out into Technicolor, I'll bet my eyes just popped.

This is the Movie of All Time, folks--a status achieved during its long run as a huge annual TV event during that classic era whose programs now show up on TV Land network. In the 1970s, Peter Marshall once read the answer on Hollywood Squares as to the program seen more times by more people than anything else ever shown on television. It was "Oz." Likewise, no movie has the hold on popular culture that this one does. What lion character ever since (i.e., Snagglepuss) hasn't been an impersonation of Bert Lahr going, "Put 'em up, put 'em uuuuup!"

Few musicals offer an equal combination of lovable music and engaging story. Perhaps "The Sound of Music." Hard to think of many Hollywood musicals where the story gets as serious as it does here when the Witch informs Dorothy that, "The last to go will see the first three go before her...and her mangy little dog too!" Yikes! In contrast, even the best of other Hollywood musicals seem to serve up fluffy, forgettable story lines that are mere backdrop to the song numbers that typically put the plot on hold.

I can't say that "Oz" doesn't have technical flaws or story element inconsistencies. It's just that the astonishing production values all around so overwhelm the shortcomings. The tornado sequence is a 1939 special effects tour de force--incredible. And the Nutcracker-quality musical score offers songs tastefully interwoven with the action. Certain numbers like "Merry Old Land of Oz," I never get tired off, though I like each of the songs.

Oz should be viewed in the lightness of spirit that it deserves. I mean look, we have Frank Morgan as the Emerald City gatekeeper, then seconds later as the cabbie with the Horse of a Different Color, then the Wizard's palace guard, and then the voice of fire-and-smoke Wizard of Oz who bellows, "Step forward, Tin Man!" What other film could put an actor go through 4 quick-changes within 10 minutes to such an endearing result? "Oz" is as magic as those sparkling ruby shoes.

The early Technicolor process utilized triple nitrate negative strips--separately recording each primary color in light. This was done due to the lack of a suitable "color film" in 1939. That would quickly change--but films from years following suffered from hues that faded with the years, even original negatives. Because "Oz" was actually filmed on a black-and-white base film, the negatives never faded. So now we have home videos/DVDs of breathtaking color quality. Now, the tinted filters in the cameras that separated the colors onto the negative strips meant that intense illumination was required, rendering the filming experience miserably hot for the actors involved, especially Lahr. But they all hold up amazingly well.

"Oz" has a valuable message. As the pop group America once said, "No, Oz never did give nothin' to the Tin Man....that he didn't, didn't already have." If we have truly search, we can find within us--or create through trial, like the Lion's courage--what we think we most lack. The Wizard (like the Lord) helps those who find help within themselves.

I feel sorry for the Almira Gulches who can't treasure this film experience. They need to visit the Emerald City to get their own ticking Testimonials and find their hearts.

Didn't bring your broomsticks with you? Well, I'm afraid you'll have to walk.


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