Huomispäivä on meidän

I stayed with this hoping for something and it delivered squat. I actually got hooked in the beginning which would have made a very good movie...when Dunne is essential in getting coworkers "the girls" to support a strike against her boss, never seen, of a chain of restaurants. The first part of the film sets up a smart, working women facing the exploitation of the bosses....and she is pursued by the union rep, a handsome man. Instead she becomes tied up in a subsequent dreary plot with Boyer. The first part of the film is charming and interesting and she's an arresting character. Even he is mildly interesting. The slice of 1939 life they partake of is very well played: going to the piers where people are cooling off pre AC, helping a kid who's skinned his knee, lost his pants held up by rope. He's pushing his friend in a go cart. After setting up an interesting film they are caught in a storm. Held up in a church. Which holds up the film. Even that is passably interesting. Finally, we meet Boyer's mad wife who isn't so addled when away from her mother and her minder. She wants her husband. And Dunne as a good woman in a 1939 movie, isn't going to fight her for him. This is all trite. Had it been a light, romantic comedy built around striking women it would have been a good film. A film about a strong, smart woman leading a strike. As it is...I guess this is what is called condescendingly "a woman's film" like today's "chick flicks" and it's a bore.