Langdon Towne and Hunk Marriner join Major Rogers' Rangers as they wipe out an Indian village. They set out for Fort Wentworth, but when they arrive they find no soldiers and none of the supplies they expected.
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?Written by
Rod Crawford <firstname.lastname@example.org>
The company had rented many local pinto horses for the filming of the Indian attack on the train. During filming, however, local cowboys had to be hired to round up the horses, as they would scatter and sometimes stampede because of the noise and confusion of these scenes--all the shooting, yelling, and yards of unfamiliar cloth on the horses, along with kettles and other implements tied to their manes and tails, made them extremely nervous and uncomfortable, and it didn't require much to make them bolt. See more »
Position of Mollie's left arm when Jeff starts to read his letter on the handcar. See more »
Dated Special-Effects, Length Don't Help This Movie
It's not a bad film but it's too long. Man, at 136 minutes this is tough to sit through although if you can make it to the halfway point, you are way ahead of the game because the slowest part is the first half.
Barbara Stanwyck was still young, fresh-looking and spunky and I enjoyed her. Robert Preston seemed to be the most natural of the male leads. Joel McCrea seemed a little stiff in his delivery. Brian Donlevy was good as always.
What detracted me from enjoying this movie was the dated special-effects. Every time somebody was on something that was moving - a horse, wagon carts, trains, etc - it really looked hokey. Obviously, they were in a studio with a screen behind them. It was so phony it made the film lose credibility.
The classic movies that hold up better, generally speaking, are the ones that don't rely too much on realism, action-wise.
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