Son of Frankenstein (1939)

One of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.

Director:

Rowland V. Lee

Writers:

Mary Shelley (suggested by the story written in 1816) (as Mary Wollstonecraft Shelley), Wyllis Cooper (screenplay) (as Willis Cooper)

Stars:

Boris Karloff, Basil Rathbone, Bela Lugosi

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Basil Rathbone	...	Baron Wolf von Frankenstein
Boris Karloff	...	The Monster
Bela Lugosi	...	Ygor
Lionel Atwill	...	Inspector Krogh
Josephine Hutchinson	...	Elsa von Frankenstein
Donnie Dunagan	...	Peter von Frankenstein
Emma Dunn	...	Amelia
Edgar Norton	...	Thomas Benson
Perry Ivins	...	Fritz
Lawrence Grant	...	Burgomaster
Lionel Belmore	...	Emil Lang
Michael Mark	...	Ewald Neumüller
Caroline Frances Cooke	...	Frau Neumüller (as Caroline Cooke)
Gustav von Seyffertitz	...	Burgher
Lorimer Johnston	...	Burgher (as Lorimer Johnson)

Storyline

Wolf von Frankenstein returns to the Baronial manor from the United States with his wife Elsa and son Peter. He not made welcome by the locals who are still terrified of his father's works and the monster he created. The local Burgomaster gives him a sealed briefcase left by his father and inside, Wolf finds his father's scientific notes. At the manor house he meets his father's assistant Igor who has a surprise for him: the monster his father created is still alive, though in some sort of coma. Wolf's initial attempts to re-animate the creature seem to fail but when Peter says he saw a giant in the woods, it appears he's met success. When people are mysteriously killed in the village there is little doubt that the monster is responsible.

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Plot Keywords:

sequel | shot to death | scientist | castle | broken neck | 

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Taglines:

The black shadows of the past bred this half-man . . . half-demon ! . . . creating a new and terrible juggernaut of destruction !

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Genres:

Drama | Horror | Sci-Fi

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

13 January 1939 (USA)

Also Known As:

De zoon van Frankenstein

Filming Locations:

Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

99 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Makeup artist Jack P. Pierce estimated it took four hours to transform Boris Karloff into the monster.

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Goofs

Although the culture is Germanic, Police Inspector Krogh refers to his men as "gendarmes" - which is French.

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Quotes

[first lines]
[a child picks up a rock to throw at Ygor's window]
Younger Brother: Ain't you afraid?
Older Brother: Of old Ygor? No!
[Ygor stares from the window]
Older Brother: Oh!

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Connections

Followed by The Invisible Woman (1940)

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Soundtracks

Sailing, Sailing, Over the Bounding Main
(uncredited)
Written by Godfrey Marks
Sung a cappella by Donnie Dunagan

User Reviews

Surprisingly Good Sequel

Usually the third film in a series shows signs of decline either in quality or inventiveness. Even the third 'Godfather' was significantly less than its predecessors. Universal's 'Frankenstein' series that began in the early 1930's was no exception and showed some wear by the end of the decade when 'Son of Frankenstein' was released. Under the sensitive direction of James Whale, the original 'Frankenstein' was a classic, and, in the first sequel, 'Bride of Frankenstein,' Whale even managed to better it. However, while Whale was not involved with 'Son,' the third installment turned out to be a surprisingly good movie even if it failed to match the two preceding films. Perhaps the major reason for the success of 'Son' was the casting of Basil Rathbone as Wolf Frankenstein, the original Baron's son. Rathbone is a fine strong actor, and his characterization certainly exceeds Colin Clive's somewhat colorless portrayal of his father in the preceding films. Rathbone holds the viewer's attention throughout as he becomes immersed in the legacy of his father and fails to comprehend the consequences of what he is doing. Boris Karloff returns for a third time as the monster. Although he does a fine job, there is less opportunity for the actor to show the range of emotion in this film that he displayed in 'Bride.' Another aspect of 'Son' that raises it above the ordinary is the set and lighting design, which owes a debt to German expressionism. The sets have bold diagonals in their construction, and the cameraman has lit them to cast equally bold shadows against bare walls and create abstract patterns that often recall 'The Cabinet of Dr. Caligari.' The lighting and design of one particular section of a cave under the Frankenstein laboratory could have been blown up and framed as an expressionist photograph. Although it does not reach the heights of the Whale films, 'Son of Frankenstein' is a worthy successor and an engrossing film in its own right.