Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England, Robert Devereux, the Earl of Essex. Ever the victor on the battlefield, Devereux returns to London after defeating Spanish forces at Cadiz. Middle-aged Elizabeth, so attracted to the younger Devereux but fearful of his influence and popularity, sends him on a new mission: a doomed campaign to Ireland. When he and his troops return in defeat, Devereux demands to share the throne with the heir-less queen, and Elizabeth, at first, intends to marry. Ultimately sensing the marriage would prove disastrous for England, Elizabeth sets in motion a merciless plan to protect her people and preserve her throne.Written by
The relationship between Elizabeth and Essex bordered on the incestuous. His maternal great-grandmother Mary Boleyn was a sister of Anne Boleyn, mother of Queen Elizabeth I, making him a cousin of the Queen, and there were rumours that his grandmother, Catherine Carey, a close friend of Queen Elizabeth's, was Henry VIII's illegitimate daughter. Moreover, his mother was married to Robert Dudley, Earl of Leicester, the Queen's most beloved courtier and rumoredly her secret lover. See more »
Details of some historical characters and events have been changed to fit the dramatic narrative. See more »
Robert Devereux, Earl of Essex:
[after being slapped hard by Queen Elizabeth I]
I would not have taken that from your father the King; much less will I take it from a king in petticoats!
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This picture, based on Maxwell Anderson's play (written entirely in blank verse!) portrays the Elizabeth of legend, not the historical Elizabeth, in this case based on Lytton Strachey's book, "Elizabeth and Essex". In other words, this is more a theatrical than a strictly accurate presentation of the great queen and her times.
And what a presentation! Lynn Fontanne portrayed Elizabeth in the play's original Broadway run; Judith Anderson played her in the 1968 television presentation (opposite Charlton Heston!). Davis takes the part (re-written for the picture, discarding the blank verse) over the top. Her overactive, explosive performance might seem too much to some, but it definitely matches the style of the play itself, the sumptuous settings, gorgeously photographed, the historically accurate costuming, and Korngold's splashy, brilliant score, one of his best creations.
The supporting cast matches her at every turn. Even Flynn's performance, dismissed at the time as being lightweight, comes across as the ideal foil to the tempestuous, aging queen he's playing against.
Quite a treat, even after almost seventy years. Definitely of its time, but, understanding this, it can be thoroughly enjoyed.
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