An American singing cowboy who has become an oil millionaire is convinced to stay at an Balkan village waiting for his bride-to-be who is getting the divorce in Paris, where they expect to ...
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An American singing cowboy who has become an oil millionaire is convinced to stay at an Balkan village waiting for his bride-to-be who is getting the divorce in Paris, where they expect to spend their honeymoon. There he meets Manya who has been elected queen of the local rose festival, which means she stays in the castle where he is lodged for a whole week.Written by
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
When Lucky Lawton hides inside a food cart with his head emerging on a platter to appear as a singing ("I ain't got no body!"), decapitated spirit to frighten Manya, he loses control of the cart and it crashes down stairs. The shot when the cart collides with a suit of armor runs a moment too long, revealing an obvious wax dummy head on top of the cart instead of a living person. See more »
Very little Paris and no honeymoon- still a pleasant film
Bing Crosby starred in some great films (i.e. 'Holiday Inn' and 'Going My Way') but also a few not so good ones (i.e. the 1956 version of 'Anything Goes'). 'Paris Honeymoon' is a minor, and pretty much forgotten, film, but it is a pleasant diversion and nothing more or less.
The title is misleading at the very least. There is a little bit of Paris, but it is more Ruritania than Paris (probably done because it sounds catchier?) and there's no honeymoon. That however is a nit-pick and not really a flaw. There are things that stop it from being great, but there are a good many good things to make 'Paris Honeymoon' very much watchable.
Franciska Gaal agreed is irritating and displays very little warmth or charm. The plot, while still warm-hearted and light-footed, is pretty paper thin nonsense, and although there is some enormously fun comic relief from Akim Tamiroff and especially Edward Everett Horton, the script is every bit as flimsy in places. The songs have been criticised for being forgettable, well they are not the most memorable in a Bing Crosby film or any musical for that matter but they are pleasantly tuneful.
Crosby however carries 'Paris Honeymoon' with ease, it is a reasonably early film in his filmography and he is much more comfortable than in some of his earlier roles. As ever he also sings a dream. Shirley Ross is also charming, and Horton and Tamiroff are very funny, Rafaela Ottiano also. Ben Blue is amusing too, though one can't help think of Harpo Marx when seeing Blue, except not as good.
It is a good looking film too, hardly a cheapo while also not being elaborate. There are two particularly great scenes, when Horton gets water spilt over him by Ottiano and particularly the scene in the castle.
All in all, a pleasant if not exactly great film. 6/10 Bethany Cox
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