7.7/10
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Only Angels Have Wings (1939)

Not Rated | | Adventure, Drama, Romance | 25 May 1939 (USA)
At a remote South American trading port, the manager of an air freight company is forced to risk his pilots' lives in order to win an important contract.

Director:

Howard Hawks

Writer:

Jules Furthman (screen play)

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Nominated for 2 Oscars. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
Cary Grant ... Geoff Carter
Jean Arthur ... Bonnie Lee
Richard Barthelmess ... Bat MacPherson
Rita Hayworth ... Judy MacPherson
Thomas Mitchell ... Kid Dabb
Allyn Joslyn ... Les Peters
Sig Ruman ... Dutchy (as Sig Rumann)
Victor Kilian ... Sparks
John Carroll ... Gent Shelton
Don 'Red' Barry ... Tex (as Donald Barry)
Noah Beery Jr. ... Joe Souther
Manuel Álvarez Maciste Manuel Álvarez Maciste ... The Singer (as Maciste)
Milisa Sierra Milisa Sierra ... Lily (as Milissa Sierra)
Lucio Villegas Lucio Villegas ... Doctor
Pat Flaherty ... Mike
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Storyline

When the ship San Luis makes a stop at the port of Barranca, to deliver mailbags and load bananas, cabaret singer Bonnie Lee leaves the boat for some hours to look around. She meets a gang of American flyers, who works for a warm-hearted Dutchman. He is the owner of a scrubby hotel, but also of the shaky Barranca Airways, lead by the tough flyer Geoff Carter. The only way to fly out of Barranca is through a deep pass at 14.000 feet above the ground. As the weather is often stormy and foggy, the flights are extremely difficult, and several flyers have already lost their lives. Bonnie falls in love with Geoff, who reminds her of her father, a trapeze artist who worked without safety net. She decides to leave the boat and stay at the hotel. But Geoff is scared of being detained by a woman. He wants to continue his risky lifestyle uninterrupted. The situation is aggravated when a new flyer, Bat MacPherson, turns up with his wife Judy. He once caused the death of a young flyer, by leaving ... Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Add Synopsis

Taglines:

Romance as glorious as the towering Andes! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

25 May 1939 (USA) See more »

Also Known As:

Howard Hawks' Only Angels Have Wings See more »

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Box Office

Gross USA:

$2,180,000, 31 December 1939
See more on IMDbPro »

Company Credits

Production Co:

Columbia Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Was originally titled "Pilot Number 4." See more »

Goofs

When Carter is shot by Jean Arthur's character, the hammer on the the revolver had not been drawn back. A revolver will not discharge from just being dropped on table unless it had been cocked; and even then it's not a certainty. See more »

Quotes

John 'Dutchy' Van Reiter: Oh, Geoff, please. Include me out.
See more »

Connections

Featured in Becoming Cary Grant (2017) See more »

Soundtracks

The Peanut Vendor
(1931) (uncredited)
Music by Moïse Simons
Lyrics by L. Wolfe Gilbert and Marion Sunshine
Played on piano by Jean Arthur and accompanied by the restaurant band
Partially sung by Cary Grant
See more »

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User Reviews

 
A man's gotta do...
19 August 2006 | by antcol8See all my reviews

This film is relentlessly male and relentlessly American. It functions brilliantly within the Hawksian "system" where male bonding is key, and where Woman is an outsider. Where romance is a minor part of life and where love is expressed through symbols and not through language. The group of professionals and their easy, jocular interaction is the beating heart of this film and all the group scenes are brilliantly directed. I also like the element of screwball comedy (a genre in which Hawks is one of the few masters) which presents itself in Grant and Arthur's "coffee" scene. It shows how much Hawks trusts his actors and his material in that he knows that such changes of tone can strengthen, rather than weaken, the key drama. I love this film even though its presentation of the world is not the one I'm the most sympathetic to. The film is not incredibly strong in psychological nuances - not when compared to directors like Sirk, Fuller, Welles, N. Ray, etc...and the basic tone is that of a stoicism which occasionally cracks (slightly) under pressure, but which almost immediately reestablishes itself. It's an attractive world view, but not one I'm incredibly comfortable with. There is no place here for ambiguity - not on any deep, non - localized level. I've been reading some Hawks interviews, and I now understand why Hawks was uncomfortable with being labeled an "artist". His attitude towards films and film-making is clearly the same as the attitude of the men in this film towards their work and their lives (and deaths). It's simple: you're either good enough or you're not, and you're only as good as your last flight. This identification between the man (Hawks) and his production (Only Angels Have Wings) helps to illuminate the greatness of the film, but it also explains its emotional and aesthetic limitations.


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