After a two-year absence, Clem Spender returns home on the very day that his former fiancée, Delia, is marrying another man. Clem enlists in the Union army and dies on the battlefield, but not before finding comfort in the arms of Delia's cousin, Charlotte Lovell. The years pass and Charlotte establishes an orphanage and eventually confesses to Delia that her dearest young charge, Tina, is an fact her own child by Clem. Jealousy and family secrets threaten to tear the cousins apart.
Vividly, unforgettably, a woman's love starved soul is revealed. All those strange secrets she locks in her heart ... moments of rapture and of heartbreak ... longings that no man can fathom. Of these has the year's finest picture been woven!
Did You Know?
On her first day on the set, Hopkins wore an exact duplicate of the dress Davis had worn in Jezebel. Davis reflected on this time with Hopkins in her autobiography with the following observations "Miriam used and, I must give her credit, knew every trick in the book. I became fascinated watching them appear one by one. When she was supposed to be listening to me, her eyes would wander off into some other world in which she was the sweetest of them all. Her restless little spirit was impatiently awaiting her next line, her golden curls quivering with expectancy." See more
Society women such as portrayed here would never have their names printed (on the many invitations and announcements throughout) as "Mrs. Delia ... Mrs. Henrietta" etc. but as "Mrs." before their husbands' names and as long as they remained widows. Obviously this was done for clarity to the viewer, but in period novels you don't see this stylistic error. See more
I'll be leaving, immediately.
To this war?
Well, what other war is there? War makes you forget - sometimes rather quickly.
The opening credits are shown on facsimiles of wedding invitation cards. See more
Traditional 18th century tune
Played in the score for the first scene See more