Prizefighter Mason loses his opening fight so wife Rose leaves him for Hollywood. Without her around Mason trains and starts winning. Rose comes back and wants Mason to dump his manager Regan and replace him with her secret lover Lewis.
Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance ... See full summary »
Jim Fletcher, waking up from a coma, finds he is to be given a court martial for treason and charged with informing on fellow inmates in a Japanese prison camp during WWII. Escaping from ... See full summary »
Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend the calling from the other world by Sabbatt, but Judy wants Mike to help her instead. Later that night, after spoiling an attempt on the life of Judy, and meeting Madame Rapport, Mike goes to Sabbatt's hotel only to find the doors chained from the inside and a strange voice speaking. Busting in, he finds Sabbatt strangled. While there seems to be no way for anyone from this world to commit the murder, it is only the first murder. Mike must find the how and why before Judy becomes the third and final victim.Written by
Tony Fontana <email@example.com>
This film's television premiere took place in Los Angeles Wednesday 26 June 1957 on KTTV (Channel 11); it first aired in Altoona PA 6 September 1957 on WFBG (Channel 10), in Chicago 13 September 1957 on WBBM (Channel 2), in Honolulu 16 November 1957 on KHVH (Channel 13), in Fresno CA 3 December 1957 on KMJ (Channel 24), in Tampa 12 February 1958 on WFLA (Channel 8), in Philadelphia 22 March 1958 on WFIL (Channel 6), in Columbus 7 April 1958 on WLW-C (Channel 4), in Indianapolis 12 May 1958 on WLW-I (Channel 13), in Cleveland 21 October 1958 on KYW (Channel 3), and in Seattle 11 June 1959 on KING (Channel 5); it finally found its way to New York City 12 December 1960 on WCBS (Channel 2). See more »
One scene shows Morgan having some fun with a waiter by making sugar bowls disappear and reappear. The first time he does the trick it is cleverly executed, but the second and third time it is clearly accomplished with a camera effect instead of actual slight-of-hand. See more »
You'd like my father. He thinks everybody in New York oughta' be shot - and he's dying to start the movement.
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Comin' through the Rye
Original lyrics from Robert Burns poem (1782] See more »
A Dense Disappointment Considering Cast, Director, and Production
A Good Cast and an Excellent Production Design Highlight Director Tod Browning's Last Film. However, Much of the Horror and Mystery are Diluted with the Constant Debunking Dialog and Denouements.
The Suspension of Disbelief is Constantly being Undermined by Voluminous Verbiage and Demonstrations About How All of This is a Bunch of Hooey. One Atmospheric Scene After Another is Quickly Talked Out and We're On to Another.
It is All a Bit Complicated, and that Doesn't Help, with Red Herrings and Disguises. It's a Bumpy Affair and Most of the Entertainment Value is Lost Among the Cerebral and Stoic Conceit.
Some of it Might be Attributed to the Motion Picture Code that was Adamant About Exposing Spiritualism. Religion of Any Sort Other than Judeo/Christian was Meant with Dedicated Disdain.
Overall, the Movie is Worth a Watch for the Cast, the Sleek Production, and Tod Browning's Steady and Surreal Hand, but as a Whole it is a Rather Dense Disappointment.
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