During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Showgirl Eve, stranded in Paris without a soul, befriends taxi driver Tibor Czerny, then gives him the slip to crash a party. There she meets Helene Flammarion and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges enlists Eve's aid in taking Picot away from his wife. It works well - at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny.Written by
Rod Crawford <email@example.com>
Claudette Colbert and Don Ameche really shine in this screwball comedy...
Screwball comedy is an art and in '39 Charles Brackett wrote a perfectly wonderful one for CLAUDETTE COLBERT and DON AMECHE called MIDNIGHT and directed by the talented Mitchell Leisen.
Claudette is down to her last coin when she stumbles out of a taxi-cab driven by Don Ameche and strolls around Paris in the pouring rain in a gold lame dress, not exactly the picture of a girl down on her luck. But the fun begins when she crashes a party given by a bunch of socialites and has to pretend to be there as a member of high society. She calls herself a Baroness and before long, Ameche has caught up with her and goes along with her impersonation, calling himself a Baron.
Of course, it takes many plot twists and turns for the whole story to come to an end, and by that time there are quite a few laughs provided by Claudette and company. JOHN BARRYMORE is in especially good comic form as a man who wants his wife (MARY ASTOR) to get rid of her lounge lizard boyfriend (FRANCIS LEDERER), who happens to fancy Claudette. REX O'MALLEY has a fey role as a house guest and the cast includes HEDDA HOPPER and MONTY WOOLLEY as an exasperated and befuddled judge.
Claudette has her best role since IT HAPPENED ONE NIGHT and makes the most of it. She schemes her way in and out of trouble with the disarming charm and ease of an actress who has worn many disguises before.
Summing up: A very winning comedy that is a perfect example of screwball at its best.
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