During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Showgirl Eve, stranded in Paris without a soul, befriends taxi driver Tibor Czerny, then gives him the slip to crash a party. There she meets Helene Flammarion and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges enlists Eve's aid in taking Picot away from his wife. It works well - at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny.Written by
Rod Crawford <email@example.com>
After Wilder and Brackett fought with director Mitchell Leisen to make sure as much of their work made on the screen as possible, Wilder was convinced he had to direct the scripts they wrote and Brackett was convinced he had to produce. See more »
When Eve dances in the bar the night she meets Tibor Czerny her nails are painted, but when she wakes up in the hotel the next morning she doesn't have any nail polish on, even though she didn't have a chance to remove it, and her nails look completely different in length and shape. See more »
Although languishing in obscurity in comparison to other great films of 1939, Midnight is a classic that deserves to be ranked among the best comedies. In this sophisticated twist on the Cinderella story, a penniless showgirl (the incomparable Claudette Colbert) passes herself off as a foreign aristocrat to help John Barrymore win back his erring wife from a champagne mogul. If she succeeds in winning this millionaire for herself, she'll have the rich lifestyle--the "tub of butter"--for which she's been scheming, but taxi driver Don Ameche is determined to teach her the age-old lesson that love is better than riches. Not only is the film a delight for fans of Colbert, whose genius for offhand, sophisticated comedy shines here, but viewers are also treated to one of Barrymore's last and funniest performances. Although he is said to have read his lines from cue cards for this film, his performance looks flawless: worldly, cunning, and wildly eccentric. Ameche provides the perfect counterpart for Colbert, holding his own in the dizzying round of deceptions, impersonations, and frivolous lawsuits. This is a sparkling, witty film that should be part of every comedy fan's library.
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