After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
Wealthy Edward Morgan becomes charmed with a curly-haired orphan and her pretty older sister Mary and arranges to adopt both under the alias of "Mr. Jones." As he spends more time with them, he soon finds himself falling in love with Mary.
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
Priscilla Williams, a young girl living with her widowed mother and paternal grandfather at the post he commands in northern India, becomes enamored of military life and embroiled in brewing rebellion against the crown in the early 1900's.
C. Aubrey Smith
Dimples Appleby lives with the pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit. "Uncle Tom's Cabin" is performed.
Little Martha Jane, aka Little Miss Marker (Temple) is left with the bookmaker Sorrowful Jones by her dad as part of a bet on a horserace. Sorrowful (Menjou) and his group of fellow bookies... See full summary »
When her father, Captain Crewe, goes off to fight in the Boer War, young Sara Crewe is placed into the care of Amanda Minchin, the head of an exclusive private school for girls. Sara lives a wonderful life of a privileged child and is quite happy in her surroundings. When her father is listed as missing in action however, her life goes from one of plenty to that of a poor house maid. Mrs. Minchin agrees to keep her on at the school, but in the absence of her tuition payments, she has to work for her keep. She is soon cleaning out the fireplace and scrubbing floors and is dubbed the little princess by her former schoolmates. She also refuses to accept that her father is dead and prowls the hospitals in the hope of locating him. Luck - and Royal intervention - assist her in her quest.Written by
The reason Shirley Temple hadn't made a movie in Technicolor until this one was that the Technicolor company insisted that 1,000 foot-candle lights be used to get proper exposure on its film. These incredibly bright lights produced so much heat that the studio thought a child Temple's age would be hurt working under such conditions. So, with the cooperation of the Technicolor company, cinematographer Arthur C. Miller worked on a series of tests using lower levels of light, and finally discovered that 400 to 500 foot-candle lights would produce a satisfactory Technicolor image without generating the kind of heat that could injure Temple and the other children in the cast. Technicolor used a new high-speed film for this picture's trailer. This new film went on to be used for Gone with the Wind (1939). See more »
In opening scene, the father is referred to as "Captain" which is correct because the movie takes place in 1899. After 1902 until the present (2018), the rank on his shoulder is that of first lieutenant based on the two pips he wears. A captain's rank is three pips. See more »
Why are they sending so many soldiers, daddy, if it's only going to be a little war?
To make those stubborn Boers take us seriously this time, my darling. When they realize Her Majesty intends to put a stop to their nonsense, they'll quiet down.
They'd better. Anyhow, when you get there, you'll stop them. Won't you, daddy?
I'll do my best, dear.
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"The Little Princess" is a reversal-of-fortune movie, so to speak. Sarah Crewe (Shirley Temple) is the daughter of a wealthy soldier sent off to the Boer War in 1899. Having no relatives, Sarah is placed in an exclusive girls school until her father returns. When her father is reported dead and their fortune is wiped out, the friendly headmistress becomes not-so-friendly towards Sarah, who is made to work off her father's debt to the school. Sarah is convinced that her father is alive, though, and searches the area hospital for him, eventually finding him.
This movie serves as an excellent example of several things: movies like this just aren't made any more. Unfortunately, they can't be - people would say it was too corny. In the movie, Shirley portrays a child not only with unshakable hope but patience, manners, politeness and kindness in the face of terrible adversity, with only a couple of cracks in her steadfastness. She meets Queen Victoria. Who would believe that a child under the duress that she suffers could be so gracious? Who would believe that, being a pauper, she could meet the Queen of England? Today's movie child star would have filled the air with sassiness and expletives under the same situation. But Shirley/Sarah doesn't, and that's a reason that I really like this movie - it shows someone who tries to make the best of a bad situation, and never gives up hope.
I also believe that the movie is an accurate portrayal of the life and times of the turn of the century, as it was made only 40 years after the Boer War. I think that Victorian England was captured well in this movie; after all, we do a pretty good job of displaying the 1960s on film these days.
Overall, though, it is Shirley Temple at her singing/dancing/acting best in this movie, and she does a wonderful job from start to finish.
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